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mcp_opendaw_create_variations

Create musical variations from a source note region using transformations such as transpose, invert, reverse, augment, and diminish, with each variation placed in a new region on the target track.

Instructions

Create thematic variations from an existing note region.

Reads notes from a source region and generates N variations, each written to a new region on the target track. Each variation applies a transformation: transpose, invert, reverse, augment, diminish, fragment, or octave_shift. This is the fundamental compositional technique of theme-and-variations (Bach Goldberg, Beethoven Diabelli, Brahms, jazz reharmonization).

source_unit: AU index of the source notes. source_track: Note track index within the source AU. source_region: Region index to read from (0 = first region). variations: Comma-separated variation specs. Each spec is: "transpose:N" — transpose by N semitones (e.g. transpose:5, transpose:-7) "invert" — invert around middle C (axis=60) "invert:N" — invert around pitch N "reverse" — reverse note order (keep positions relative) "augment:N" — multiply durations by N (e.g. augment:2 = double) "diminish:N" — divide durations by N (e.g. diminish:2 = halve) "fragment" — keep only notes on beats (quantize to beat boundaries) "octave_up" — shift up one octave (+12) "octave_down" — shift down one octave (-12) Example: "transpose:5,invert,reverse,augment:2,octave_down" target_unit: AU index for variations (-1 = same as source). target_track: Track index for variations (-1 = same as source). start_beat: Starting beat for first variation. spacing_beats: Gap between variations in beats (0 = each starts after previous ends).

Returns notes per variation, total notes, variation count.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
start_beatNo
variationsNotranspose:5,transpose:-3,invert,reverse,augment:2
source_unitYes
target_unitNo
source_trackYes
target_trackNo
source_regionNo
spacing_beatsNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations provided, the description carries the full burden. It states the operation reads from a source region and writes new regions to a target track, implying non-destructive behavior (source is read-only). It details each transformation effect. However, it does not disclose edge cases like whether existing regions on the target track are overwritten, or behavior on invalid inputs. Still, it provides substantial behavioral insight.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is long but every sentence is information-dense and earned. It front-loads the core purpose, then systematically explains each parameter with a labeled list. The variation-spec enumeration is necessary for correct usage and is well-formatted. No filler or redundancy.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the tool's complexity (8 parameters, no annotations, output schema present), the description covers purpose, parameters, return values, and even musical context. It omits nothing critical for an agent to invoke it correctly. The output schema exists, so return types need no further description.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters5/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

The input schema provides only titles with no descriptions (0% coverage), so the description must fully explain parameters. It does so exhaustively: all 8 parameters are described with formats, defaults, and examples (especially the variations string syntax with all supported spec forms). This is exemplary compensation for missing schema descriptions.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description opens with a specific verb and resource: 'Create thematic variations from an existing note region.' It clearly distinguishes itself from siblings by enumerating the exact transformations (transpose, invert, reverse, augment, diminish, fragment, octave_shift) and the source/target region mechanics. This is a precise, non-tautological purpose statement.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description provides clear context: it is for theme-and-variations composition, citing historical examples. It explains when to use it (when creating variations from a note region) but does not explicitly contrast with sibling tools like create_motif_variations or create_motif_development. Thus it has strong implied usage but lacks explicit exclusions/alternatives.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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