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mcp_opendaw_create_future_bass_arrangement

Creates a full future bass arrangement with four tracks: drums, sub-bass, supersaw chords, and vocal-style lead. Set BPM, bars, root, and octave.

Instructions

Create a full future bass arrangement — 4 tracks: drums + bass + chords + lead.

Future bass (Flume, San Holo, Illenium, ODESZA) blends electronic production with melodic/emotional sensibility. Key characteristics:

  • 130-160 BPM, often major key (uplifting feel)

  • Pitching snare rolls before drops (rising pitch + velocity crescendo)

  • Big supersaw chords — wide, detuned, layered

  • Sub-bass under chords, syncopated with kicks

  • Vocal chop aesthetic — short rhythmic melodic fragments

  • Sidechain pumping feel

  • Bright, shimmering, nostalgic

Creates 4 tracks:

  1. Drums (drum_track): Punchy kick on 1 and 3, snare on 2 and 4, 16th hats with rolls, and pitching snare roll at end of phrase (8 bars) — simulated by ascending pitch notes.

  2. Bass (bass_track): Sub-bass following chord roots, syncopated gaps, octave drops. Sustained under chords.

  3. Chords (chord_track): Big supersaw-style chords — major 7th / add9 voicings, wide voicings (root/third/seventh/ninth/octave), 2 bars per chord. I-V-vi-IV progression.

  4. Lead (lead_track): Vocal-chop style melodic fragments — short rhythmic notes in major scale, catchy phrases, starts after 4 bars.

bpm: Tempo (120-170, default 150). bars: Arrangement length (4-32, default 8). root: Root note (default C = common future bass key). octave: MIDI octave for chords (3 = C3=48).

Example: create_future_bass_arrangement(bpm=150, root="C", bars=8) create_future_bass_arrangement(bpm=140, root="G", bars=16)

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
bpmNo
barsNo
rootNoC
octaveNo
velocityNo
bass_trackNo
drum_trackNo
lead_trackNo
start_beatNo
unit_indexNo
chord_trackNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior3/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations provided, the description carries the full burden of behavioral disclosure. It thoroughly explains what will be generated (4 tracks, their musical content, genre style). However, it does not disclose potential side effects, such as whether it overwrites existing track data, whether it creates new tracks or uses existing indices, or if the operation is undoable. This ambiguity prevents a higher score.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is longer than average but well-structured with clear sections (genre overview, track details, parameter list, examples). Every sentence adds useful context for a creative tool; there is minimal fluff. It is not excessively wordy for the complexity it covers.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness3/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given 11 parameters and no annotation support, the description is incomplete. It covers the overall purpose and main musical outputs thoroughly, but fails to explain several parameters and does not address side effects or prerequisites. An output schema exists, so return values don't need to be described, but the missing parameter semantics and side-effect information leave the description only partially complete.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters2/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema coverage is 0%, so the description must compensate. It explains bpm, bars, root, and octave, but 7 of 11 parameters (velocity, bass_track, drum_track, lead_track, start_beat, unit_index, chord_track) are left undocumented. The track indices are only implicitly mentioned in the track descriptions, not explained as parameters. This leaves a significant gap.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description clearly states the tool's function: 'Create a full future bass arrangement — 4 tracks: drums + bass + chords + lead.' It uses a specific verb ('create'), identifies the resource ('future bass arrangement'), and differentiates from sibling genre tools by explicitly naming the genre and detailing the track structure.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description provides clear context for when to use the tool by detailing future bass genre characteristics and giving example calls (bpm, root, bars). However, it does not explicitly state when not to use it or directly mention alternative tools (e.g., other create_*_arrangement tools), which would warrant a 5.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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