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mcp_opendaw_create_pedal_point

Create a sustained bass pedal point under a changing chord progression to add harmonic tension. Define chord pattern, pedal pitch, and timing for drones, organ preludes, or rock ballads.

Instructions

Create a pedal point — sustained bass tone under changing chords.

A foundational technique in film scoring (Hans Zimmer drones), organ preludes (Bach), and rock ballads. A single low note sustains (or retriggers) while chords change above it, creating harmonic tension and release. The pedal anchors the harmony while the chords create movement.

pedal_pitch: Sustained bass note (default 36 = C2, low and powerful). chord_pattern: Comma-separated chord names (e.g. "Cm,Ab,Eb,Bb"). Supports: maj, min, m7, maj7, dom7, sus2, sus4, dim, aug. bars_per_chord: Bars each chord lasts (1-8, default 1). beats_per_bar: Time signature beats (3/4=3, 4/4=4, 6/8=6, default 4). pedal_velocity: Velocity of pedal note (0-1, default 0.75). chord_velocity: Velocity of chord notes (0-1, default 0.6). chord_octave: Octave for chord notes (1-8, default 4 = C4 range). retrigger_pedal: If true, pedal re-triggers at each chord change. If false, one long sustained note for the entire duration. unit_index: AU index with note track (-1 = find first AU with note tracks). track_index: Note track index within the AU. start_beat: Position in beats where the pedal point begins.

Returns notes created, chord count, pedal duration.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
start_beatNo
unit_indexNo
pedal_pitchNo
track_indexNo
chord_octaveNo
beats_per_barNo
chord_patternNoCm,Ab,Eb,Bb
bars_per_chordNo
chord_velocityNo
pedal_velocityNo
retrigger_pedalNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior3/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

No annotations are provided, so the description bears the full burden. It does disclose important behavioral traits: the retrigger_pedal distinction ("pedal re-triggers at each chord change. If false, one long sustained note") and return values ("Returns notes created, chord count, pedal duration"). However, it fails to disclose potential side effects for a write operation in a DAW — crucially, whether existing notes are overwritten or preserved, and what prerequisites must hold for the target track/AU.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is well-structured: purpose definition → musical context → parameter breakdown → return values. The front-loaded definition is immediately clear. The musical context paragraph is illustrative but somewhat verbose relative to the agent's needs; it could be condensed to one sentence. The parameter section is necessarily long because schema coverage is 0%, so the length is largely justified.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

This is a complex 11-parameter compositional tool, and the description covers its function, musical contexts, complete parameter semantics, and return values (output schema exists, so detailed return docs aren't required). The notable gap is the lack of explicit side-effect disclosure — whether the tool appends notes, replaces existing content, or creates new regions — which matters for a DAW writer tool with no annotations. This prevents a perfect score.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters5/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 0%, so the description fully compensates by documenting all 11 parameters with rich semantics: defaults and ranges ("bars_per_chord: Bars each chord lasts (1-8, default 1)"), value formats ("Comma-separated chord names (e.g. "Cm,Ab,Eb,Bb")"), supported chord types ("maj, min, m7, maj7, dom7, sus2, sus4, dim, aug"), time signature examples ("3/4=3, 4/4=4, 6/8=6"), and MIDI meaning ("36 = C2, low and powerful"). This far exceeds what the schema provides.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description opens with a specific verb+resource: "Create a pedal point — sustained bass tone under changing chords." This precisely defines the tool's function and its musical concept, distinguishing it from similar compositional siblings like create_ostinato, create_bordun, and create_ground_bass by describing a sustained bass under changing harmony (not a repeated pattern). The cultural examples (Hans Zimmer drones, Bach organ preludes, rock ballads) further anchor the purpose.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description provides clear usage context: "A foundational technique in film scoring (Hans Zimmer drones), organ preludes (Bach), and rock ballads" — telling the agent when this technique is stylistically appropriate. However, it does not explicitly name sibling alternatives or state when not to use it (e.g., vs. create_ground_bass or create_chord_progression), so it falls short of a 5.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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