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mcp_opendaw_create_metal_arrangement

Create a complete metal arrangement with double kick drums, palm-muted riffs, power chords, and shred lead. Configure BPM and root note for thrash, traditional, or extreme metal.

Instructions

Create a full metal arrangement — double kick drums + palm-muted riffs + power chords + shred lead.

Heavy metal — riff-based, not chord-progression-based:

  • Track 0: Drums — double kick (16th notes on kick), snare on 2+4, crash on bar starts, ride during verses. Blast beat feel at high BPM. The double kick is the heartbeat of metal — relentless.

  • Track 1: Bass — root-following bass, palm-muted style. Follows the riff root notes in steady 8ths. Thick, driving, sits under the guitars like a foundation.

  • Track 2: Rhythm guitar — power chords (root+fifth) with palm-muted 8th note chugging. The classic metal riff approach: low E string pedal tone + power chord stabs. E minor phrygian dominant for that Middle Eastern/exotic metal feel.

  • Track 3: Lead guitar — minor pentatonic + natural minor scale shredding. Fast alternate-picking runs, sweep arpeggios, tapped harmonics simulated via high-register notes. The "shred" quality.

At 160 BPM (default), this is thrash/speed metal territory. At 120 BPM, it's traditional heavy metal (Iron Maiden). At 200+, it's extreme/black metal.

The riff: low E pedal tone + power chord on the off-beat. Phrygian dominant (E-F#-G-A-B-C-D) gives the exotic metal sound (think Metallica, Slayer, Meshuggah). Not I-IV-V — metal is riff-driven, not chord-driven.

bpm: Tempo (100-220, default 160 = thrash metal). bars: Arrangement length (must be multiple of 4, default 8). root: Root note (E is the most common metal key — lowest guitar string). octave: MIDI octave for bass (2 = E2=40, standard metal bass register). unit_index: AU index with note tracks. drum_track / bass_track / chord_track / lead_track: Track indices.

Returns notes created per track and total.

Example: create_metal_arrangement(bpm=160, root="E", bars=8) create_metal_arrangement(bpm=120, root="D", bars=16) # traditional metal

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
bpmNo
barsNo
rootNoE
octaveNo
velocityNo
bass_trackNo
drum_trackNo
lead_trackNo
start_beatNo
unit_indexNo
chord_trackNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations, the description carries full behavioral disclosure. It details per-track behavior, scale choices, and explicitly states the return value ('Returns notes created per track and total'). However, it does not disclose whether the tool appends to existing notes or overwrites tracks, nor does it fully clarify prerequisites beyond 'unit_index: AU index with note tracks.'

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is organized clearly: purpose, track breakdown, BPM context, riff theory, parameter list. It front-loads the main point and uses bullet points for readability. Some stylistic flourishes (e.g., 'relentless heartbeat of metal') add flavor but not operational value, making it slightly less concise than ideal.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

For a complex tool that creates four tracks of arrangement, the description covers the compositional approach, musical style, key parameters, and expected return. Given that an output schema exists, it does not need to document return syntax in detail. Gaps include velocity, start_beat, and interaction with existing notes, but overall the description provides sufficient context for an AI agent.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 0%, so the description is the only source of parameter meaning. It explains bpm, bars, root, octave, unit_index, and all four track indices with ranges and defaults, which is substantial. However, it omits velocity and start_beat entirely, leaving those 2 of 11 parameters unexplained.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description opens with a specific verb+resource: 'Create a full metal arrangement — double kick drums + palm-muted riffs + power chords + shred lead.' It clearly enumerates the four tracks, making the tool's function unmistakable and distinguishing it from the many other genre arrangement tools in the sibling list.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description gives strong usage context: BPM ranges map to subgenres (120=traditional metal, 160=thrash, 200+=extreme), and it emphasizes riff-based rather than chord-progression-based composition. It does not explicitly mention alternatives, but the tool's purpose is so clearly scoped that 'use for metal arrangements' is unambiguous.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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