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mcp_opendaw_create_tala

Generate Indian classical tala cycles with vibhag sections, tali/khali accents, and tabla bols. Choose from six talas, set cycles, tempo (laya), velocity, and start beat to produce MIDI notes in openDAW.

Instructions

Create an Indian classical tala — cyclic rhythmic structure with vibhag sections and tali/khali markings.

A tala is a cyclic rhythmic framework in Indian classical music. Unlike Western meter (which groups beats into uniform bars), a tala divides its cycle into vibhags (sections) of unequal length, each marked by tali (clap) or khali (wave). The theka — a sequence of named tabla strokes (bols) — defines the characteristic pattern of each tala.

The cycle (avartan) repeats, with the sam (first beat) being the strongest point. Tali beats are played with emphasis; khali beats are played softly (the "empty" section). This dynamic contrast gives Indian rhythm its distinctive breathing quality.

Talas: teental — 16 beats, 4+4+4+4 vibhags. The most common tala. Tali at beats 1, 5, 13; khali at beat 9. Dha-Dhin-Dhin-Dha pattern. ektal — 12 beats, 2+2+2+2+2+2 vibhags. Used in classical vocal and sitar. Tali at 1, 5, 9, 11; khali at 3, 7. jhaptal — 10 beats, 2+3+2+3 vibhags. Asymmetric grouping. Tali at 1, 3, 8; khali at 6. rupak — 7 beats, 3+2+2 vibhags. Unusual — starts with khali (no clap on sam). Tali at 4, 6; khali at 1. dadra — 6 beats, 3+3 vibhags. Light classical, semi-classical. Tali at 1; khali at 4. kehartwa — 8 beats, 4+4 vibhags. Tali at 1; khali at 5.

Laya (tempo): vilambit — slow, 2-beat note duration (sustained strokes) madhya — medium, 1-beat note duration drut — fast, 0.5-beat note duration

Each bol maps to a MIDI pitch representing the tabla stroke character: Dha/Dhin (bayan+dayan) -> lower register (36-38) Ti/Na/Tin/Ta (dayan) -> higher register (46-52)

Args: tala_name: Tala name (teental, ektal, jhaptal, rupak, dadra, kehartwa). cycles: Number of avartan cycles (1-16). laya: Tempo (vilambit, madhya, drut). velocity: Base velocity 0-1. unit_index: AU index. track_index: Note track index. start_beat: Starting beat position.

Returns notes created, vibhag structure, tali/khali positions, and bols sequence.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
layaNomadhya
cyclesNo
velocityNo
tala_nameNoteental
start_beatNo
unit_indexNo
track_indexNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior5/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations provided, the description carries full disclosure burden and succeeds admirably. It details generative behavior: laya maps to note durations (vilambit=2-beat, madhya=1-beat, drut=0.5-beat), bols map to specific MIDI pitch ranges (bayan+dayan at 36-38, dayan at 46-52), and the cycle repeats with sam as the strongest beat. It also states what the return value contains (notes, vibhag structure, tali/khali positions, bols).

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is lengthy (~300 words) but well-structured: purpose, then background, then tala catalog, laya definitions, pitch mapping, args, and returns. Nearly every sentence earns its place because the domain knowledge directly informs parameter selection (e.g., choosing tala_name requires knowing beat structures). Slight redundancy exists (cyclicity emphasized repeatedly), but the front-loaded opening and clear hierarchy prevent it from being bloated.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

For a 7-parameter domain-specific creation tool with no annotations, the description is remarkably complete. It covers domain background, all parameter semantics, value options, behavior implications, and return contents. Even with an output schema available (per context), the description pre-emptively states return values. The only minor omission is explicit definition of 'AU index,' but the DAW context and sibling tool naming conventions make it inferable.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters5/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 0% (no param descriptions), placing full burden on the description. The Args section explains all 7 parameters, and the body enriches them substantially: tala_name's six valid values each get structural breakdowns (beats, vibhag divisions, tali/khali positions), laya gets duration semantics, velocity gets range 0-1, and cycles gets range 1-16. This far exceeds the bare schema titles.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The opening sentence 'Create an Indian classical tala — cyclic rhythmic structure with vibhag sections and tali/khali markings' provides a specific verb (create) + resource (Indian classical tala) with defining characteristics. This clearly distinguishes it from sibling tools like create_clave, create_colotomic, and create_euclidean_rhythm, which serve different rhythmic traditions.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description establishes unmistakable context: it is for Indian classical rhythm composition, listing specific talas and their traditional uses (e.g., 'ektal — used in classical vocal and sitar'). However, it never explicitly names alternatives or states when NOT to use this tool vs. other rhythmic pattern creators, stopping short of full exclusion guidance.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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