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mcp_opendaw_spread_voicing

Transform chord spacing at any beat: open spreads notes for wide harmony, close collapses to one octave, drop-2/drop-3 produce classic jazz comping sounds.

Instructions

Spread or compact a chord voicing — open vs close harmony.

Transforms the spacing between chord tones at a specific beat position. Close voicing (all notes within one octave) sounds tight and focused. Open voicing (notes spread across multiple octaves) sounds wide and spacious — the hallmark of jazz piano, film score strings, and orchestral arrangements.

mode: "open" — move every other note up by spread_octaves octaves. This creates drop-2/drop-3 style open voicings from close chords. The lowest note stays, the next goes up an octave, the next stays, etc. Result: wider intervallic spacing, more airy sound. mode: "close" — collapse all chord tones into the lowest possible octave (within 12 semitones from the lowest note). Compresses spread voicings back to close harmony. Useful for tight block chords after open passages. mode: "drop2" — drop the second-highest note down an octave. Classic jazz piano voicing technique. Creates the quintessential "comping" sound. mode: "drop3" — drop the third-highest note down an octave. Another standard jazz voicing, slightly wider than drop2.

chord_position: Beat position where the chord starts (finds all notes at this position, groups them as a chord). spread_octaves: For "open" mode — how many octaves to spread (1-3, default 1). 1 = subtle widening, 2 = very open, 3 = extreme.

Returns original pitches, new pitches, mode used, chord size.

Example:

Open up a close triad for jazz piano sound

spread_voicing(0, 2, 0, 4.0, mode="open")

Classic drop-2 jazz voicing

spread_voicing(0, 2, 0, 4.0, mode="drop2")

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
modeNoopen
unit_indexYes
track_indexYes
region_indexYes
chord_positionYes
spread_octavesNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior5/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

No annotations provided, so the description fully carries the burden. It details exactly what each mode does to notes (e.g., 'move every other note up by spread_octaves octaves') and lists return values (original pitches, new pitches, mode used, chord size). No contradictions.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is well-structured: summary, mode explanations, parameters, examples. It is somewhat lengthy but every section adds value. Front-loaded with the core purpose.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

For a tool with 4 modes and chord transformation complexity, the description covers purpose, mode mechanics, parameter roles, return values, and an example. With output schema present, it is sufficiently complete for an agent to understand and invoke correctly.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema coverage is 0%, but the description explains mode (4 options with details), chord_position (beat position), and spread_octaves (range and default). It does not explain unit_index, track_index, or region_index, but these are common DAW identifiers likely understood from context.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description clearly states the tool's purpose: 'Spread or compact a chord voicing — open vs close harmony.' It specifies the action (transform spacing) and resource (chord tones at a beat position), and is distinct from sibling tools like create_comping or invert_chord_notes.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

Each mode (open, close, drop2, drop3) is explained with its musical effect and typical use cases, e.g., 'Classic jazz piano voicing technique' for drop2. The example shows concrete usage. However, it doesn't explicitly contrast with alternative tools or state when not to use.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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