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mcp_opendaw_create_metal_arrangement

Generate a full heavy metal arrangement including double kick drums, palm-muted riffs, power chords, and shred lead guitar at customizable tempo and key.

Instructions

Create a full metal arrangement — double kick drums + palm-muted riffs + power chords + shred lead.

Heavy metal — riff-based, not chord-progression-based:

  • Track 0: Drums — double kick (16th notes on kick), snare on 2+4, crash on bar starts, ride during verses. Blast beat feel at high BPM. The double kick is the heartbeat of metal — relentless.

  • Track 1: Bass — root-following bass, palm-muted style. Follows the riff root notes in steady 8ths. Thick, driving, sits under the guitars like a foundation.

  • Track 2: Rhythm guitar — power chords (root+fifth) with palm-muted 8th note chugging. The classic metal riff approach: low E string pedal tone + power chord stabs. E minor phrygian dominant for that Middle Eastern/exotic metal feel.

  • Track 3: Lead guitar — minor pentatonic + natural minor scale shredding. Fast alternate-picking runs, sweep arpeggios, tapped harmonics simulated via high-register notes. The "shred" quality.

At 160 BPM (default), this is thrash/speed metal territory. At 120 BPM, it's traditional heavy metal (Iron Maiden). At 200+, it's extreme/black metal.

The riff: low E pedal tone + power chord on the off-beat. Phrygian dominant (E-F#-G-A-B-C-D) gives the exotic metal sound (think Metallica, Slayer, Meshuggah). Not I-IV-V — metal is riff-driven, not chord-driven.

bpm: Tempo (100-220, default 160 = thrash metal). bars: Arrangement length (must be multiple of 4, default 8). root: Root note (E is the most common metal key — lowest guitar string). octave: MIDI octave for bass (2 = E2=40, standard metal bass register). unit_index: AU index with note tracks. drum_track / bass_track / chord_track / lead_track: Track indices.

Returns notes created per track and total.

Example: create_metal_arrangement(bpm=160, root="E", bars=8) create_metal_arrangement(bpm=120, root="D", bars=16) # traditional metal

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
bpmNo
barsNo
rootNoE
octaveNo
velocityNo
bass_trackNo
drum_trackNo
lead_trackNo
start_beatNo
unit_indexNo
chord_trackNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations, the description carries full burden. It details the musical behavior (what notes are created on each track, patterns, scales). It notes return value ('notes created per track and total'). However, it does not specify whether existing notes on those tracks are overwritten or if the operation is additive, nor does it mention potential side effects.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is well-structured with bullet points for tracks, clear parameter explanations, and examples. It is slightly verbose but every sentence adds value. It is front-loaded with purpose and provides a mix of technical and musical guidance.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the complexity (11 parameters, 0% schema coverage, no annotations), the description covers the arrangement structure, track roles, scale theory, tempo implications, and parameter constraints (e.g., bars must be multiple of 4). It provides examples. Missing is explicit documentation of error cases or idempotency, but the output schema likely covers return details.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema coverage is 0%, so description must compensate. It explains musical purpose for key parameters (bpm, bars, root, octave, track indices) and provides scale theory. However, parameters like velocity, start_beat, and unit_index are mentioned but not explained in musical context. The example usage partially compensates.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description clearly states 'Create a full metal arrangement' and lists specific components (double kick drums, palm-muted riffs, power chords, shred lead). It distinguishes this tool from other genre-specific arrangement creators among siblings (e.g., create_rock_arrangement, create_blues_arrangement) by its focus on metal and detailed musical characteristics.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description provides strong usage context by explaining how BPM ranges map to metal subgenres (thrash, traditional, extreme) and gives examples. However, it does not explicitly state when to use this tool versus other arrangement tools or provide 'when not to use' guidance.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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