Skip to main content
Glama

mcp_opendaw_create_isorhythm

Generate isorhythms by defining independent repeating rhythm (talea) and pitch (color) cycles that phase shift, creating evolving patterns.

Instructions

Create an isorhythm — repeating rhythm (talea) × repeating pitch series (color).

Isorhythm separates rhythm and pitch into two independent cycles. The talea (rhythmic pattern) and color (pitch series) repeat independently, creating constantly shifting relationships as they go in and out of phase. When talea and color have different lengths, the pattern doesn't fully repeat until the least common multiple of both lengths.

Found in medieval motets (Machaut), and heavily influenced 20th-century composers — Messiaen, Boulez, Stockhausen. Distinct from ostinato, which repeats rhythm and pitch together as one unit.

talea: Comma-separated note durations in beats (the repeating rhythm). e.g. "1,1,0.5,0.5,1" = quarter, quarter, eighth, eighth, quarter. color: Comma-separated MIDI pitches (the repeating pitch series). e.g. "60,62,64,65" = C,D,E,F cycling independently of rhythm. repeats: Number of full talea cycles (1-16, default 3). velocity: Velocity of all notes (0-1, default 0.7). unit_index: AU index with note track (-1 = find first AU with note tracks). track_index: Note track index within the AU. start_beat: Position in beats where the isorhythm begins.

Returns notes created, talea/color lengths, phase cycle length, total duration.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
colorNo60,62,64,65,67,65,64,62
taleaNo1,1,0.5,0.5,1,0.5,0.5,1
repeatsNo
velocityNo
start_beatNo
unit_indexNo
track_indexNo

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations provided, the description bears full responsibility for behavioral disclosure. It explains that talea and color cycles repeat independently, causing phasing, and that the full cycle length is the LCM of lengths. It also mentions return values (notes, lengths, duration). However, it does not mention potential side effects like overwriting existing notes or prerequisites (e.g., existence of a note track).

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is well-structured, starting with a definition, then historical context, then parameter details, then return values. It is slightly long but every paragraph adds value. Could be trimmed slightly, but no word is wasted.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the tool's moderate complexity (7 parameters, 0 required) and the presence of an output schema, the description provides comprehensive context: conceptual explanation, parameter formats, behavioral phasing, and return summary. It fully equips an agent to use the tool correctly.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters5/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

The description adds substantial meaning to all parameters beyond the input schema. For talea and color, it explains the comma-separated format and gives examples. Repeats, velocity, unit_index, track_index, and start_beat are all described with context. This fully compensates for the 0% schema description coverage.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description clearly states the tool creates an isorhythm, defines it as a repeating rhythm (talea) combined with a repeating pitch series (color), and distinguishes it from ostinato. The verb 'create' and specific resource 'isorhythm' are unambiguous. Historical context and contrast to ostinato further clarify its unique purpose among many sibling tools.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description explains when to use an isorhythm (for medieval motets and 20th-century composers) and contrasts it with ostinato. However, it does not explicitly state when NOT to use it or list alternative tools for similar patterns. The guidance is clear but lacks explicit exclusion criteria.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

Install Server

Other Tools

Latest Blog Posts

MCP directory API

We provide all the information about MCP servers via our MCP API.

curl -X GET 'https://glama.ai/api/mcp/v1/servers/AMEOBIUS-team/opendaw-mcp'

If you have feedback or need assistance with the MCP directory API, please join our Discord server