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    Locally converts a known BPM into per-beat, eighth-note, sixteenth-note, and bar durations, compares two reported tempos to flag possible half/double-time interpretations, and lists nearby Camelot codes for a key estimate. Runs over stdio with no audio, account, or network access required.
    4
    MIT
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    Enables bounded, schema-validated automation of FMOD Studio game audio through MCP/CLI workflows, including inspection, safe mutations, previews, receipts, and high-level workflows for events, assets, parameters, adaptive music, spatial audio, banks, and mixer/routing.
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    Enables users to build and tweak BOSS GT-1 guitar tones and patches through plain-language conversation, with Claude writing amp, drive, and effect settings over USB. It can also listen to the pedal's audio, adjust levels and noise suppression, manage user slots, and run a metronome.
    MIT
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    Music For Robots catalog — browse and search AI-generated real-time music reviews. Two critics (Vincent Van Goghbot, JS Robach) listen to original compositions and respond with timed observations synchronized to the audio. Query tracks, spectral/harmonic analysis, and full prose reviews.
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    Lets AI assistants render HTML animations to MP4 or GIF in 16:9, 9:16 and 1:1, preview single frames to check their own work, and finish videos with royalty-free music, AI voiceover, burned-in captions, titles and logos. It renders code frame by frame in a real browser rather than generating video from a text prompt.
    MIT
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    Enables reading and creating projects in a local CapCut draft library through natural language — listing timelines, checking for missing media, and generating new edits from clips, with cuts automatically matched to the beat of a track. It works by cloning an existing draft as a structural template, so new projects inherit CapCut's undocumented file format.
    6
    MIT
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    Guaardvark turns your own GPU into a full media studio for any MCP client: generate images, video, music and voice, run a five-role Film Crew, upscale to 8K, and query your indexed documents and code, with nothing leaving your machine. Every tool runs behind a default-deny policy, and every render queues locally and is polled by batch id, so an agent can direct hours of production without a cloud
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    MIT
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    Enables inspecting a live FL Studio project and adjusting exposed plugin parameters through natural-language requests handled by Codex. Provides track and plugin discovery, paginated parameter inspection, guarded normalized parameter writes with readback, and undo of bridge changes.
    6
    MIT
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    Lets users shape Space Dust synthesizer presets by describing the sound they want in natural language, instead of turning knobs. It reads, creates, adjusts, and compares preset files, with safety rails and live updates.
    10
    MIT
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    Enables users to describe a sound in plain words inside Claude and receive a generated audio file saved in their project. Supports synthesizing wind, whooshes, creaks, impacts, rain and UI blips, plus seamless loops, layered scenes, varied output formats, loudness targets, and conversion or trimming of existing audio files.
    6
    MIT
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    Gemini Audio MCP is a high-performance Model Context Protocol (MCP) server that leverages the power of the Gemini 2.0 Multimodal Live API to generate high-fidelity, environmental soundscapes on-demand.
    9
    MIT
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    Enables AI-powered sound effects generation, audio extension, inpainting, and account management through the Mirelo API, accessible via natural language in MCP-compatible clients.
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    23 npm
    MIT
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    Enables AI coding agents to shape BOSS KATANA Gen 3 amplifier tones from natural-language descriptions, moving the knobs live inside BOSS TONE STUDIO over USB. Agents can read the current patch, set amp and effect parameters in one call, and let changes play through the amp instantly.
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    MIT
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    A mock-first MCP server for audio generation that creates placeholder WAV files locally, enabling development and testing of audio workflows without APIs or costs.
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    MCP server for Audionaut, a free, open-source multitrack audio editor for macOS, Windows and Linux. Agents can split and move clips, set gain, fades and crossfades, time-stretch, work with regions, run audio analysis and Auto Edit, separate stems and export. When the project is open in the app, each edit lands there as one undo step and the project file is never overwritten. Setup: npx -y audionau
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