Add a full-frame adjustment layer at the top of the stack — apply effects to it (e.g. via ae_add_effect / ae_add_glow) to grade or treat the whole comp at once.

Apply a physics 'bounce' (overshoot) expression to a property (scale, position, or rotation) instead of hand-keying springiness. Once applied, any keyframe you set on that property will overshoot and settle naturally. Based on the well-worn Dan Ebberts overshoot — robust against overflow.

Add a tactile 'button press' micro-interaction: a quick scale-down dip and release just before a major on-screen movement begins. Inserts three Scale keyframes around atTime (assumes the layer rests at 100% scale).

Add a Camera layer to the comp (becomes the active camera). Animate it with ae_animate_camera — remember 2D layers need their 3D switch on (ae_set_layer_3d) to be affected.

Wrap a layer in a mockup frame — 'card' (rounded panel + shadow), 'browser' (panel + a top chrome bar with traffic-light dots), or 'phone' (tall rounded panel). The content layer is parented to the frame so they move together. Best on footage/precomp layers (a screenshot or UI scene).

Convenience: add a soft Drop Shadow to a layer with sensible defaults (you can fine-tune via ae_set_effect_param afterwards).

Add an effect to a layer by name or match-name (e.g. 'Drop Shadow', 'Gaussian Blur', 'CC Light Sweep', or a match-name like 'ADBE Drop Shadow'). Returns the effect's parameter names so you know what ae_set_effect_param can target.

Add an opacity fade-in and/or fade-out at the layer's in/out points, eased.

Convenience: add Gaussian Blur to a layer (use a small amount for depth, or keyframe it for a focus pull / transition).

Convenience: add a Glow effect to a layer (great for UI highlights / logos). Tune further with ae_set_effect_param.

Add an existing composition (a precomp/scene) or imported footage item into another composition as a layer.

Add markers at the given times — on the composition timeline (for beat/section sync) or on a specific layer. Optional labels.

Add a rectangular or elliptical mask to a layer. Bounds are in the layer's own pixel space ([left, top, right, bottom]); omit them to mask the whole layer. Combine with ae_animate_mask for wipe-style reveals.

The cinematic finisher: create one master Null at the comp's centre, parent every otherwise-unparented layer to it, and add a Rotation expression with a very slight tilt (positive easing to negative) so the whole composition moves together as one — 'stitching it all'.

Word-by-word staggered text reveal — not a flat fade. A Text Animator pushes each unit off-screen (Position offset) at 0% opacity; an Expression Selector pulls one chunk into place at a time. Defaults to words; set chunkSize=2 to reveal two words at a time, or basedOn=characters for a typewriter feel.

The 'organic motion' trick: make a nested element trail its parent/leader by a fraction of a second using .valueAtTime(time - delay), so things don't move in stiff unison (e.g. an arrow inside a button arrives just after the button).

Add Trim Paths to a shape layer and (by default) animate it so the stroke draws on. Adds a stroke first if the shape has none. Best on shapes made by ae_create_shape.

Keyframe a camera's position and/or point of interest between two 3D points — a dolly / push-in / pan. If no camera name is given, the first camera in the comp is used.

Keyframe a mask's expansion or feather between two values — e.g. animate expansion from a small value to large to wipe a layer on/off.

Keyframe Time Remapping on a layer — each key maps a comp time to a source time (slow-mo, speed-up, freeze, reverse). Enables time remapping first if needed.

Keyframe a transform property (position / scale / rotation / opacity) from one value to another between two times, with an easing preset. The general-purpose 'move this from A to B smoothly' tool. If from is omitted it defaults to a sensible rest value (position→comp centre, scale→100%, rotation→0°, opacity→0%) — pass it explicitly to start somewhere else.

Move a layer along a (optionally curved) path the safe way: create an invisible Null whose pivot the layer is pinned to, parent the layer to the Null, and keyframe the Null's position through your points. When the Null is stationary the layer can't drift — which raw curved keyframes on the layer itself would cause. NOTE: the layer is repositioned to ride the Null, so make points[0] its desired start.

Precompose layers into a new composition (a 'scene') — keeps things organised and lets you apply effects/transforms to a whole group at once.

Add a shape layer (rounded rectangle or ellipse) with a solid fill — e.g. a UI button or a background frame. Position is the layer's transform position; the shape geometry is drawn around it.

Add a solid-colour layer — handy as a background or a colour wash. Defaults to comp size.

Add a plain text layer (no animator). For an animated reveal use ae_add_text_reveal instead.

Enable Time Remapping on a layer whose source has a duration (footage, comp/precomp). Then keyframe it with ae_animate_time_remap for speed ramps / freeze frames.

Escape hatch: run arbitrary ExtendScript inside After Effects. The code may return a value. Helpers under OSR are available (OSR.comp, OSR.layer, OSR.tprop, ...). Prefer the specific tools when one fits.

Import an image / video / audio file into the project, and optionally place it in a composition.

Pick-whip one property to another via an expression — e.g. link an icon's Scale to its container's Scale so they always match. Defaults the target property to the same name as the source property.

Animate a shape's Size on one axis independently (the 'constrain proportions OFF' trick) — so a moving button can look like it physically stretches a background frame. Keyframes the layer's first rectangle/ellipse Size between two times.

Parent one layer to another (the layer-level 'pick whip'): the child then inherits the parent's transforms. Pass parent=null to unparent. Visual position is preserved.

Render a composition to a video file via the Render Queue. Blocking — can take a while. Returns the output path on success.

Render a single frame of a composition to a PNG and return its file path — use it to actually look at what you've built. Fast (no Render Queue).

Render several frames of a composition to PNGs at once — use it to review motion across a range of times. Returns the saved file paths.

Save the After Effects project (.aep). Pass a path to save-as / create the file; omit it to save in place (requires the project to already have a file).

Inspect the After Effects project: lists every composition with its size, frame rate, duration, motion-blur state, and layers (with parents). Use this first to see what exists.

Set a layer's blending mode (normal, multiply, screen, overlay, add, lighten, darken, soft-light, hard-light, color-dodge, color-burn, difference, luminosity).

Re-ease the existing keyframes of a transform property with a preset (linear / easeIn / easeOut / easeInOut / hold). Use after manual keyframing, or to dial in the feel of an already-animated property.

Set a parameter of an effect on a layer (or keyframe it at a time). Reference the effect and parameter by name or 1-based index.

Toggle a layer's 3D switch (or every layer in the comp). Required before a camera move affects 2D layers.

Use the layer directly above as a track matte for this layer (alpha or luma, normal or inverted). Pass 'none' to clear it. The matte layer should be just above the target in the layer stack.

Create a composition configured for premium motion: 60 fps and motion blur ON by default — the baseline 'buttery smooth' look. Returns the comp name.