Read structural info about the active Premiere sequence: name, frame rate, total duration in seconds, first-frame timecode (zero point), and per-track summaries (index, name, clip count). No arguments. Use this first to confirm a sequence is open and to learn its duration before asking for transcripts or placing markers. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Get the active sequence's transcript, stitched across all audio source clips and mapped into sequence-time. Each segment has start/end seconds (sequence-relative), text, and optional speaker label. Returns coverage info indicating what window of the sequence has transcript data. Optionally clip to a sequence-time window with startSec / endSec. Note: clips must be transcribed in Premiere first (Window > Text > Transcript > Transcribe sequence) or this returns ok:false. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Search the active sequence's transcript for a word or phrase and get WORD-ACCURATE sequence times for each match — the MCP equivalent of clicking a word in Premiere's Text panel. Returns startSec/endSec of the matched words plus timecodes (HH:MM:SS:FF; drop-frame HH:MM:SS;FF on 29.97/59.94 sequences), surrounding context, speaker, and whether the match ends a sentence (eos - a natural cut boundary). Use this to snap marker/cut points precisely instead of relying on get_transcript's sentence-level segment starts. Matching is case- and punctuation-insensitive. Optionally restrict to a sequence-time window with startSec/endSec. Requires transcribed clips, same as get_transcript. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

List markers on the active sequence with start seconds, duration seconds, name, comment, type, and color index. Optionally filter by name prefix (e.g. 'Scout/Social:' to see only Social Clips markers added by Scout). The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Add markers to the active sequence. Each marker has startSec (required) and optional endSec (omit for a point marker, include for a duration marker). All markers in one call share a single colorName. Use the Scout namespace convention for name (e.g. 'Scout/Social: Hook intro', 'Scout/Cleanup: Dead air', 'Scout/Key: Topic shift') so other tools and the panel UI can find them by prefix later. Markers are added non-destructively — existing markers are not touched. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

DESTRUCTIVE — applies Lift or Extract to every 'Scout/Cleanup:' marker range on the active sequence. Lift removes the content within each range and leaves a gap; Extract removes it AND ripples later content left to close the gap. A backup clone of the sequence is created FIRST (look for ' — backup' in the Project panel) so this is recoverable. If the backup cannot be confirmed, the tool ABORTS before touching the timeline and returns an error; only after the user explicitly accepts the risk may you retry with allowNoBackup: true. Acts ONLY on markers whose name starts with 'Scout/Cleanup:' — to apply over markers you placed in another namespace, first rename them via remove_markers + place_markers. Requires the CEP helper to be running (see cep-helper/README.md). Confirm with the user before invoking — this changes their timeline. Extract mode also leaves a GREEN point marker (prefix 'Scout/Edit:') at each join location so the user can navigate via the Markers panel and audit each cut. Listable/removable via list_markers/remove_markers with prefix='Scout/Edit:'. Lift mode does NOT place these (the gap is already the visual breadcrumb). The result includes a log:[...] array of internal diagnostic lines — check it (especially the backup line) and surface anything alarming to the user. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Convert duration markers under the given prefix into POINT markers of type MARKER_TYPE_CHAPTER (duration 0). Used to turn 'Scout/Key:' moments into YouTube/podcast chapter markers. Originals are removed after the chapter markers are created. Default prefix is 'Scout/Key:'. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Write a CSV of every marker matching prefix to a file in the Scout plugin's UXP data folder. Columns: startSec, endSec, durationSec, startTimecode (HH:MM:SS), label, reason. Returns the absolute path of the written file. Common usage: prefix='Scout/Quote:' filename='scout-quotes.csv' for quote pulls, or prefix='Scout/Broll:' filename='scout-broll-cues.csv' for B-roll cues. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Cut tracks in the active sequence at each provided sequence-time (in seconds). Produces no content removal — just adds cut boundaries, the same effect as Premiere's Razor tool (Ctrl+K) applied at each point. Reversible with Ctrl+Z in Premiere. Requires the CEP helper to be running. Optional scope selects which tracks are cut: 'all' (default — every video AND audio track), 'video' (every video track only), 'audio' (every audio track only), or 'track' (one specific track — trackType and trackIndex are then REQUIRED; they are invalid with any other scope; enforced in the handler since the schema cannot express the pairing). CAVEAT: per-track cuts (scope video/audio/track) unlink audio from video on the cut clips — Premiere's QE per-track razor behaves that way; scope 'all' cuts through everything at once. Use this when Claude needs to introduce cuts without the full Lift/Extract flow — e.g., 'cut the timeline at the 10 speaker transitions' followed by a manual review. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Enable every clip on every video and audio track of the active sequence (sets disabled=false). Useful when a previous Multi-Cam edit, Lift, or manual disable left a bunch of clips muted/hidden and the user wants to restore them all at once instead of clicking each. The whole batch is a single undo entry (Ctrl+Z rolls it back). Calling on a clip that's already enabled is a no-op, so this is safe to run on any sequence — there is no 'enabled some, disabled some' mode. No arguments. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Remove markers from the active sequence. Provide AT LEAST ONE filter: prefix (removes every marker whose name starts with the prefix — common case for cleaning up a batch you placed earlier) and/or startSecMatches (an array of start times in seconds; matches within ±0.05s tolerance — useful for surgical removal of specific markers identified via list_markers). At least one filter is required; the call fails if both are omitted (no wildcard remove-all). When both are given, a marker only needs to match ONE of them to be removed. The result always includes activeSequence {name, id} — the sequence this call actually ran against. Compare it across calls to detect the user switching sequences in Premiere mid-session.

Run arbitrary ExtendScript inside Premiere Pro via the Scout CEP helper and return the script's string result. The QE DOM is available (app.enableQE() has been called). The script must be self-contained — each call is an independent eval with no shared state beyond Premiere's DOM. Return a JSON-shaped string for structured results. POWER TOOL: this can do anything Premiere scripting can, including destructive changes with no undo grouping — prefer the named tools when one exists, and back up the sequence before structural timeline edits.

Lists all media items, bins, and assets in the current Premiere Pro project. Use this to discover available media before performing operations.

Lists all sequences in the current Premiere Pro project with their IDs, names, and basic properties.

Lists all video and audio tracks in a specific sequence with their properties and clips.

Gets comprehensive information about the current project including name, path, settings, and status.

Read-only readiness check for the live CEP bridge and Premiere Pro host. Run this before an editing workflow to confirm the bridge responds and report the Premiere version, project, and active sequence without changing the project.

Reports the local MCP runtime, installed bridge status, tool/resource/prompt catalog sizes, and supported versus experimental integration surfaces. Set checkConnection to true to run the read-only live Premiere connection check; otherwise no Premiere request is made.

Runs a non-destructive export readiness audit for the active or requested sequence. Checks timeline content, offline media, missing export preset/output folder inputs, gaps, markers, and basic audio/video track state before an agent queues an export.

Generates clean demo stills, creates a sequence, lays the shots out on the timeline, adds dissolves, and applies subtle scale animation for a polished minimalist ad-style demo.

Builds a production-oriented promo timeline from real media assets. Supports either template defaults or an explicit clipPlan for LLM-directed pacing, transitions, motion, trims, and per-clip effects.

Builds a branded ad assembly from real media assets, supports optional MOGRT overlay, and allows explicit clipPlan control. Default polish is optional so creative direction can come from LLM planning instead of hardcoded passes.

Creates a new Adobe Premiere Pro project. Use this when the user wants to start a new video editing project from scratch.

Opens an existing Adobe Premiere Pro project from a specified file path.

Saves the currently active Adobe Premiere Pro project.

Saves the current project with a new name and location.

Imports a media file (video, audio, image) into the current Premiere Pro project.

Imports a Final Cut Pro 7 XML (XMEML) file into the current project. Premiere creates a new sequence with the cuts/clips defined in the XML. The import requests Premiere UI suppression, but malformed or unsupported XML can still be rejected by Premiere. Use legacy FCP7 XML, not modern FCPXML 1.x from Final Cut Pro X.

Reports that CMX 3600 EDL import is unavailable through this dialog-safe MCP server. Premiere's EDL API opens an interactive sequence/source-media dialog that blocks CEP. Use import_fcp_xml for unattended timeline interchange instead.

Imports all media files from a folder into the current Premiere Pro project.

Creates a new bin (folder) in the project panel to organize media.

Creates a new sequence from a specific installed .sqpreset file without opening Premiere's New Sequence dialog. For footage-driven edits, prefer create_sequence_from_clips; for an empty copy of an existing sequence, use duplicate_sequence with clearContents=true.

Creates a copy of an existing sequence with a new name. Set clearContents=true to get an EMPTY copy that inherits the source sequence's exact settings (frame rate, resolution, track layout) — the reliable way to auto-create a correctly-specced blank target, since create_sequence ignores frame rate.

Deletes a sequence from the project.

Adds a media clip from the project panel to a sequence timeline at a specific track and time.

Places MANY clips onto one sequence in a single round-trip — the fast path for rebuilding a whole edit (e.g. a Descript/EDL stringout). Equivalent to calling add_to_timeline (overwrite) once per clip, but ~50x faster because it loops inside one ExtendScript pass instead of one file round-trip per clip. Each clip supports per-clip linkAudio and sourceInPoint/sourceOutPoint (Source-monitor in/out). Returns a per-clip result array so one bad clip does not sink the batch, plus an aggregate status: top-level success is true ONLY when every clip placed; status is "success" | "partial" | "failure" with placed/failed/total counts.

Removes a clip from the timeline. Pass sequenceId when the clip ID came from list_sequence_tracks for a non-active sequence.

Moves a clip along the timeline, keeping it on its current track. To move a clip to a different track, use move_clip_to_track: on this Premiere build that is a remove-and-reinsert, which can overwrite whatever occupies the destination and gives the clip a new id, so it is deliberately a separate call rather than an option here.

Adjusts the in and out points of a clip on the timeline, effectively shortening it.

Splits a clip at a specific time point, creating two separate clips.

Cuts across multiple tracks in a sequence at an absolute timeline time. If no track arrays are provided, all video and audio tracks are cut.

Applies a visual or audio effect to a clip, identifies the exact newly created component, and verifies parameter readbacks.

Crops a timeline clip using Premiere Pro's built-in Crop video effect. Reuses an existing Crop effect on the clip when present; otherwise adds one. Omitted parameters keep their current/default values.

Adjusts the volume (gain) of an audio clip on the timeline.

Analyzes a media file's audio for silent stretches using ffmpeg's silencedetect filter, run locally via child_process -- NOT via Premiere's scripting API, which has no audio-level/RMS reading capability at all (confirmed: every audio tool in this codebase only writes levels, never reads them). Requires ffmpeg on PATH; returns an explicit error if it is not found rather than failing silently. This is DETECTION ONLY -- it does not cut or modify anything. Use the returned intervals with split_clip/ripple_delete/razor_timeline_at_time if you want to remove the silence.

Adds keyframes to audio levels for dynamic volume changes.

High-level wrapper around add_audio_keyframes that builds a ducking curve from a base level + ducking windows. Computes 4 keyframes per window (pre-fade, duck-in, duck-out, post-fade) plus boundary keyframes at clip start/end. Replaces the manual "8 keyframes per video" pattern from Sprint 3. Times are clip-source-time absolute (same convention as add_audio_keyframes).

Mutes or unmutes an entire audio track.

Adds a text layer (title) over the video timeline. Requires a MOGRT (.mogrt) template file path. Supports up to 4 text fields (text, text2, text3, text4) — each populates the Nth "AE.ADBE Text" component in the MOGRT (e.g., for Basic Lower Third: text=main title, text2=subtitle).

Applies basic color correction adjustments to a video clip.

Applies a Look-Up Table (LUT) to a clip for color grading.

Renders and exports a sequence to a video file. This is for creating the final video.

Exports a single frame from a sequence as an image file.

Adds a marker to the specified sequence for navigation or notes. The sequence does not have to be the active one.

Deletes a marker from the specified sequence. The sequence does not have to be the active one.

Updates an existing marker's properties in the specified sequence. The sequence does not have to be the active one.

Locks or unlocks a track to prevent/allow editing. The sequence does not have to be the active one.

Shows or hides a video track by toggling its output (the eye icon) in the specified sequence. The sequence does not have to be the active one. This is track OUTPUT, not track targeting -- use set_target_track for the V1/A1 patch buttons.

Links or unlinks audio and video components of a clip.

Applies an audio effect to a clip.

Bulk: applies a single audio effect to ALL audio clips of a sequence in one ExtendScript call. Returns per-clip results. Saves N MCP roundtrips when calibrating or applying same chain.

Duplicates a clip on the timeline.

Reverses the playback of a clip.

Enables or disables a clip on the timeline.

Replaces a clip on the timeline with another media item.

Gets the settings for a sequence (resolution, framerate, etc.).

Updates sequence settings. Applies width, height, frameRate and pixelAspectRatio, reads the values back afterwards, and reports any field Premiere accepted but did not actually change. Frame size CAN be changed after creation, contrary to an earlier note in this codebase.

Gets detailed properties of a clip, INCLUDING current Motion values (opacity/scale/rotation/position). Position is returned both normalized (0..1) and in PIXELS (motion.position, using the sequence frame size) so you can verify or copy framing without exporting a frame. Pass sequenceId when the clip ID came from list_sequence_tracks for a non-active sequence.

Sets Motion properties of a clip (opacity, scale, rotation, position).

Applies Motion properties (opacity/scale/rotation/position) to MANY clips in a single round-trip — the fast path for per-speaker framing across a whole rebuilt edit. ~50x faster than one set_clip_properties call per clip. Returns a per-clip result array; each result carries an applied map ({opacity,scale,rotation,position}) and success is true only when EVERY requested property was actually found and set (a missing Motion property is reported, not silently ignored).

Adds a sequence to the Adobe Media Encoder render queue.

Reports whether render queue monitoring is available. This currently returns guidance for Adobe Media Encoder rather than live queue telemetry.

Applies video stabilization to reduce camera shake.

Changes the playback speed of a clip.

Gets the current playhead (CTI) position in the specified sequence.

Sets the playhead (CTI) position in the specified sequence.

Gets all currently selected clips in the specified sequence.

Lists all available video effects in Premiere Pro.

Lists all available video transitions in Premiere Pro.

Lists all available audio effects in Premiere Pro.

Lists all available audio transitions in Premiere Pro.

Adds a keyframe to a clip component parameter at a specific time.

Removes a keyframe from a clip component parameter at a specific time.

Gets all keyframes for a clip component parameter.

Sets the work area in/out points for a sequence.

Searches for project items by name. Useful for finding media files, sequences, or bins.

Moves a project item into a different bin (folder).

Sets the active sequence in the project.

Gets the clip at a specific time position on a track.

Automatically reframes a sequence to a new aspect ratio using AI-powered motion tracking.

Detects scene changes in selected clips and optionally adds cuts or markers.

Creates a caption track on a sequence from an imported caption/subtitle file (e.g. an .srt imported via import_media). Pass the SRT project item ID directly.

Reads caption tracks of a sequence, returning each caption clip as { start, end, text } in seconds. IMPORTANT: Premiere Pro exposes no caption-read API in its scripting DOM, so in practice this returns trackCount:0 / captions:[] even when the sequence HAS a working caption track. The response field captionReadSupported:false (plus note) signals this — a 0 result does NOT mean the sequence has no captions. To read cue text/timing, parse the source .srt file directly instead.

Renames a project item (sequence, bin, clip) by setting its name. Use this when duplicate_sequence does not propagate the new name to the project panel.

Creates a subclip from a project item with specified in/out points.

Relinks an offline or moved media file to a new file path.

Sets the color label on a project item.

Gets the color label index of a project item.

Gets project metadata and XMP metadata for a project item.

Sets a project metadata value on a project item.

Gets the footage interpretation settings (frame rate, pixel aspect ratio, field type, etc.) for a project item.

Sets footage interpretation settings (frame rate, pixel aspect ratio) for a project item.

Checks all project items and returns a list of any that are offline (missing media).

Exports a sequence as Final Cut Pro XML.

Performs an undo operation in Premiere Pro.

Sets the in and/or out points on a sequence timeline.

Gets the in and out points of a sequence timeline.

Exports a sequence as an AAF file for interchange with other editing/audio applications.

Consolidates duplicate media items in the project.

Refreshes the media for a project item, reloading it from disk.

Imports sequences from another Premiere Pro project file.

Creates a subsequence from the in/out points of a sequence.

Imports a Motion Graphics Template (.mogrt) file into a sequence.

Imports a Motion Graphics Template from a Creative Cloud Library.

Premiere Pro expanded operation: find items by media path.

Premiere Pro expanded operation: get insertion bin.

Premiere Pro expanded operation: get project panel metadata.

Premiere Pro expanded operation: get graphics white luminance.

Premiere Pro expanded operation: get item info.

Premiere Pro expanded operation: get xmp metadata.

Premiere Pro expanded operation: get color space.

Premiere Pro expanded operation: rename clip.

Premiere Pro expanded operation: get clip speed.

Premiere Pro expanded operation: set clip selection.

Premiere Pro expanded operation: link selection.

Premiere Pro expanded operation: unlink selection.

Premiere Pro expanded operation: inspect dom object.

Premiere Pro expanded operation: list clip effects.

Premiere Pro expanded operation: get sequence structure.

Premiere Pro expanded operation: get premiere state.

Premiere Pro expanded operation: get full project overview.

Premiere Pro expanded operation: get bin contents.

Premiere Pro expanded operation: get full sequence info.

Premiere Pro expanded operation: get full clip info.

Premiere Pro expanded operation: get project item info.

Premiere Pro expanded operation: search project items.

Premiere Pro expanded operation: get timeline gaps.

Premiere Pro expanded operation: get timeline summary.

Premiere Pro expanded operation: get offline media.

Premiere Pro expanded operation: get used media report.

Premiere Pro expanded operation: select clips by name.

Premiere Pro expanded operation: select all clips.

Premiere Pro expanded operation: deselect all clips.

Premiere Pro expanded operation: select clips in range.

Premiere Pro expanded operation: select disabled clips.

Premiere Pro expanded operation: open in source.

Premiere Pro expanded operation: close source monitor.

Premiere Pro expanded operation: close all source clips.

Premiere Pro expanded operation: set source in out.

Premiere Pro expanded operation: insert from source.

Premiere Pro expanded operation: overwrite from source.

Premiere Pro expanded operation: get source monitor info.

Premiere Pro expanded operation: set target track.

Premiere Pro expanded operation: get target tracks.

Premiere Pro expanded operation: rename track.

Premiere Pro expanded operation: get track info.

Premiere Pro expanded operation: clear item in out.

Premiere Pro expanded operation: set item in out.

Premiere Pro expanded operation: remove selected clips.

Premiere Pro expanded operation: redo.

Premiere Pro expanded operation: multiple undo.

Premiere Pro expanded operation: get version info.

Premiere Pro expanded operation: get all project paths.

Premiere Pro expanded operation: lift selection.

Premiere Pro expanded operation: extract selection.

Premiere Pro expanded operation: get project scratch disks.

Premiere Pro expanded operation: get sequence count.

Premiere Pro expanded operation: get total clip count.

Premiere Pro expanded operation: match frame.

Premiere Pro expanded operation: ping.

Premiere Pro expanded operation: get workspaces.

Premiere Pro expanded operation: set workspace.

Premiere Pro expanded operation: play timeline.

Premiere Pro expanded operation: stop playback.

Premiere Pro expanded operation: play source monitor.

Premiere Pro expanded operation: get source monitor position.

Premiere Pro expanded operation: close project.

Premiere Pro expanded operation: delete bin.

Premiere Pro expanded operation: rename bin.

Premiere Pro expanded operation: create smart bin.

Premiere Pro expanded operation: start batch encode.

Premiere Pro expanded operation: add custom metadata field.

Premiere Pro expanded operation: import sequences.

Premiere Pro expanded operation: create bars and tone.

Premiere Pro expanded operation: set transcode on ingest.

Premiere Pro expanded operation: set project panel metadata.

Premiere Pro expanded operation: set graphics white luminance.

Premiere Pro expanded operation: set scratch disk path.

Premiere Pro expanded operation: set offline.

Premiere Pro expanded operation: has proxy.

Premiere Pro expanded operation: detach proxy.

Premiere Pro expanded operation: set override frame rate.

Premiere Pro expanded operation: set override pixel aspect ratio.

Premiere Pro expanded operation: set scale to frame size.

Premiere Pro expanded operation: select item.

Premiere Pro expanded operation: set start time.

Premiere Pro expanded operation: unnest sequence.

Premiere Pro expanded operation: create sequence from preset.

Premiere Pro expanded operation: attach custom property.

Premiere Pro expanded operation: get export file extension.

Premiere Pro expanded operation: remove effect.

Premiere Pro expanded operation: set xmp metadata.

Premiere Pro expanded operation: export omf.

Premiere Pro expanded operation: encode project item.

Premiere Pro expanded operation: encode file.

Premiere Pro expanded operation: ripple delete.

Premiere Pro expanded operation: roll edit.

Premiere Pro expanded operation: slide edit.

Premiere Pro expanded operation: slip edit.

Premiere Pro expanded operation: move clip to track.

Premiere Pro expanded operation: remove all effects.

Premiere Pro expanded operation: set clip speed qe.

Premiere Pro expanded operation: set frame blend.

Premiere Pro expanded operation: set time interpolation.

Premiere Pro expanded operation: overwrite clip.

Premiere Pro expanded operation: create sequence from clips.

Premiere Pro expanded operation: close sequence.

Premiere Pro expanded operation: export as project.

Premiere Pro expanded operation: set zero point.

Premiere Pro expanded operation: scene edit detection.

Premiere Pro expanded operation: delete preview files.

Premiere Pro expanded operation: add tracks.

Premiere Pro expanded operation: set color value.

Premiere Pro expanded operation: get clip adjustment layer.

Premiere Pro expanded operation: get linked items.

Premiere Pro expanded operation: get mogrt component.

Premiere Pro expanded operation: get effect properties.

Premiere Pro expanded operation: set effect property.

Premiere Pro expanded operation: remove keyframe range.

Premiere Pro expanded operation: set keyframe interpolation.

Premiere Pro expanded operation: get value at time.

Premiere Pro expanded operation: select clips by color.

Premiere Pro expanded operation: invert selection.

Premiere Pro expanded operation: copy effects between clips.

Premiere Pro expanded operation: copy effect values.

Premiere Pro expanded operation: replace clip media.

Premiere Pro expanded operation: batch apply effect.

Premiere Pro expanded operation: remove effect by name.

Premiere Pro expanded operation: set blend mode.

Premiere Pro expanded operation: set all tracks targeted.

Premiere Pro expanded operation: razor all tracks.

Premiere Pro expanded operation: set clip start time.

Premiere Pro expanded operation: import image sequence.

Premiere Pro expanded operation: set clip position.

Premiere Pro expanded operation: set clip scale.

Premiere Pro expanded operation: set clip rotation.

Premiere Pro expanded operation: set clip anchor point.

Premiere Pro expanded operation: set clip opacity.

Premiere Pro expanded operation: set clip volume.

Premiere Pro expanded operation: set clip pan.

Premiere Pro expanded operation: batch rename clips.

Premiere Pro expanded operation: batch enable disable.

Premiere Pro expanded operation: clear sequence in out.

Premiere Pro expanded operation: get qe clip info.

Premiere Pro expanded operation: set poster frame.

Premiere Pro expanded operation: move items to bin.

Premiere Pro expanded operation: set anti alias quality.

Premiere Pro expanded operation: set uniform scale.

Premiere Pro expanded operation: set scale width height.

Premiere Pro expanded operation: delete multiple project items.

Premiere Pro expanded operation: freeze frame.

Premiere Pro expanded operation: set sequence resolution.

Premiere Pro expanded operation: set sequence audio settings.

Premiere Pro expanded operation: set sequence pixel aspect ratio.

Premiere Pro expanded operation: set sequence field type.

Premiere Pro expanded operation: get unused media.

Premiere Pro expanded operation: get duplicate media.

Premiere Pro expanded operation: get clip links.

Premiere Pro expanded operation: get sequence markers by type.

Premiere Pro expanded operation: get clip markers.

Premiere Pro expanded operation: set sequence display format.

Premiere Pro expanded operation: get clip at playhead.

Premiere Pro expanded operation: get next edit point.

Premiere Pro expanded operation: move playhead to edit.

Premiere Pro expanded operation: set project scratch disk.

Premiere Pro expanded operation: nest clips.

Premiere Pro expanded operation: consolidate and transfer.