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LiveSession MCP
by Uri-Rosen

set_track_name

Rename an Ableton Live track by specifying its track index and new name, keeping session labels clear and organized.

Instructions

Set the name of a track.

Parameters:

  • track_index: The index of the track to rename

  • name: The new name for the track

  • user_prompt: The original user prompt that led to this tool call (for telemetry)

Tool call template

Replace each placeholder with a value matching the input schema. Only required parameters are included; add optional parameters as needed.

{
  "id": 1,
  "jsonrpc": "2.0",
  "method": "tools/call",
  "params": {
    "arguments": {
      "track_index": "<track_index>",
      "name": "<name>"
    },
    "name": "set_track_name"
  }
}

Input Schema

NameRequiredDescriptionDefault
nameYes
track_indexYes
user_promptNo

Output Schema

NameRequiredDescriptionDefault
resultYes

Schema Changelog

Changes observed during successful MCP inspections.

  1. First observedv2.0.0

TDQS

B3.1/5.0
Behavior2/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

Annotations already declare readOnlyHint=false, destructiveHint=false, and openWorldHint=false, so the safety profile is covered. The description adds nothing beyond that: it does not say whether the rename is undoable, whether it affects clips or other references to the track, or what happens if track_index is out of range. The only extra behavioral detail is that user_prompt exists solely for telemetry.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The definition is short and front-loaded, with the core action in the first line and parameters listed below. The bulleted parameter block is efficient, though it spends a line on user_prompt whose purpose is already conveyed by its name and default.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

A narrow mutation tool with an output schema, so return values need not be explained, and annotations carry the safety profile. The remaining gap is the indexing convention for track_index and failure behavior on invalid indices, which matters for correct invocation but is a modest omission for this tool's complexity.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters3/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 0%, so the description is the sole source of parameter meaning, and it does gloss all three parameters. However, the glosses largely restate the field names, and key ambiguities remain: it never states whether track_index is zero- or one-based, whether it counts return tracks and the master, or what 'original user prompt' means in practice beyond telemetry.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose4/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description states a specific verb and resource ("Set the name of a track"), so an agent can immediately tell this renames a track rather than a clip, scene, or device. It does not, however, differentiate itself from close siblings like set_clip_name, set_scene_name, or set_arrangement_clip_name, which all share the same naming verb.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines2/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

There is no when-to-use guidance: nothing says whether the track must already exist, whether renaming is preferred over other identification methods, or when an agent should pick this over set_clip_name / set_scene_name. The only implied usage is the self-evident 'rename a track' semantics.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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