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Scored across 49 tools
The descriptions are unusually explicit and cross-reference each other (e.g. insert_midi_events vs insert_midi_file vs insert_groove vs insert_riff), which rescues a lot. But with 49 tools there are still real boundary clusters: five audio-measurement tools (capture_track_audio, analyze_track, compare_tracks, verify_change, tune_param), four drum/MIDI-generation paths (riff_grid, profile_track, insert_groove, drum_workshop, transcribe_drums/insert_drum_transcription), and three automation writers (write_automation, apply_automation_transaction, batch) that an agent must reason carefully to pick between.
Everything is snake_case, so casing is consistent, but the verb convention is not: many tools are verb_noun (get_status, set_fx_param, insert_groove, capture_track_audio) while others are bare domain nouns that dispatch on an action argument (track, transport, markers, fx, batch, instruments, song_plan). Readable, but an agent cannot infer from a name alone whether the operation is a noun-with-action or a fixed verb.
49 tools is well past the 25-tool threshold and the surface includes long-tail capabilities (verify_change, tune_param, complete_postmortem_onboarding, insert_performance_audition, drum_workshop) that most sessions will never touch. Each is individually defensible for a full DAW bridge, but the set as a whole is heavy enough that selection accuracy and prompt budget suffer.
Coverage of the DAW domain is broad: transport/tempo map, tracks and routing, FX chain and parameters, automation, MIDI generation across several engines, markers/regions, save/templates, actions/scripts, and measured audio analysis. Gaps are real but mostly second-order — there is no media-item listing/inspection or item editing (split, trim, move, fades), no master-volume/mix write tool, and no undo/redo management, all of which some workflows will hit as dead ends.