mcp-bideetmusique
mcp-bideetmusique
Bide & Musique을 위한 MCP 서버입니다. 이곳은 명성을 놓친 프랑스 노래들의 온라인 방송국이자 수작업으로 구축된 카탈로그입니다. API 키가 필요 없고, 계정이 필요 없으며, 읽기 전용입니다.
이 컬렉션은 2000년부터 방송국을 운영하는 자원봉사 협회에 의해 카탈로그화되었습니다: 연도, 레이블, 카탈로그 참조 번호, 작사가와 작곡가 등, 다른 어떤 데이터베이스도 이렇게 설명하지 않는 수만 장의 레코드에 대한 정보를 담고 있습니다.
기능
다섯 가지 도구입니다.
search_songs는 한 번에 하나의 축을 따라 검색합니다. 각 축은 이름을 지정해야 합니다. 각각이 다른 질문을 묻기 때문에, 한 축에 대한 답변이 다른 축에 대해 아무것도 말해주지 않기 때문입니다.
| 찾는 대상 |
| 레코드에 표기된 아티스트 |
| 노래 제목 |
| 작사 또는 작곡한 사람 |
| 노래 가사 |
| 발매된 레이블 |
| 레코드에 인쇄된 연도 |
get_song은 검색 결과에서 받은 id를 실제 레코드 정보로 변환합니다: 연도, 작사가와 작곡가, 길이, 레이블과 카탈로그 참조 번호, 재킷 이미지, 컬렉션이 카탈로그화한 날짜, 방송국 자체 차트, 즐겨찾기에 추가한 사람 수. 페이지에 필사본이 있는 레코드는 가사 자체와 입력한 사람 정보를 함께 반환합니다. include_lyrics는 레코드 자체에 대한 질문일 때 가사를 제외합니다.
get_artist는 아티스트의 페이지를 읽습니다: 그들이 누구인지, 그들이 활동했던 다른 이름들, 그리고 컬렉션이 그들에 대해 보유한 자료.
get_random_song은 아무도 선택하지 않은 레코드를 응답합니다. 사이트는 무작위 레코드로 가는 경로를 제공하지 않으므로, 추출은 사이트가 제공하는 id들 중에서, 새 항목 피드가 명명하는 첫 번째부터 가장 최신까지의 id를 대상으로 하며, 컬렉션이 제공하지 않는 id는 다시 추출됩니다.
list_new_songs는 컬렉션이 방금 카탈로그화한 내용을 읽습니다. 그 뒤에 있는 피드는 고정된 수의 항목을 제공하며 두 번째 페이지가 없으므로, 그 개수는 컬렉션의 총 개수가 아니라 가장 최근 레코드들을 보여주는 창(window) 역할을 합니다.
Related MCP server: mcp-gouv-fr
주장하지 않는 것
모든 응답은 호출자가 사이트가 실제로 말한 내용을 알 수 있도록 구성되어 있습니다:
실패는 절대 빈 결과가 아닙니다. 여섯 가지 오류 코드가 있으며, 사이트가 거부한 검색은 아무것도 없는 컬렉션이 아닙니다.
개수는 사이트 자체의 개수로, 모든 페이지에서 일치하는 노래를 세므로 일반적으로 한 페이지의 행 수를 초과합니다. 사이트가 인쇄하지 않은 개수는
null이며, 절대0이 아닙니다.제공된 페이지는 가정이 아니라 읽힌 그대로입니다. 마지막 페이지 이후의 페이지를 요청하면 오류 없이 마지막 페이지가 반환되며, 응답이 이를 알려줍니다.
일치 검색은 단어 내에서 이루어집니다.
Bino를 검색하면Bambino의 레코드가 반환되며, 응답은 어떤 행도 검색어를 단어로 포함하지 않음을 알려줍니다.여러 키워드는 AND로 결합되므로, 추가 단어마다 검색 범위가 좁아집니다. 따옴표로 묶은 구문은 사이트 자체 양식이 무엇을 제공하든 관계없이 아무것도 반환하지 않습니다.
행은 사이트의 순서로 제공되며, 연주자 순, 그 다음 제목 순으로 정렬되며, 일치도에 따른 정렬은 절대 이루어지지 않으며, 잘림이 발생하면 이를 알려줍니다.
설치
npm install -g mcp-bideetmusique그런 다음 MCP 클라이언트에 등록하세요:
{
"mcpServers": {
"bideetmusique": {
"command": "mcp-bideetmusique"
}
}
}설정
모든 변수는 선택 사항입니다.
변수 | 기본값 | 기능 |
| 프로젝트 자체 값 | 애플리케이션 이름. 프로젝트 식별자가 뒤에 추가되어 트래픽의 출처를 추적할 수 있습니다. |
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| 요청 간 최소 간격. 2000 미만의 값은 거부됩니다. |
|
| 요청별 타임아웃. |
|
| 일시적 오류 시 재시도 횟수. |
|
| 메모리 내 캐시 유효 기간. 디스크에 기록되는 것은 없습니다. |
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| 캐시 크기. |
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이 서버가 사이트에 빚진 것
Bide & Musique은 자원봉사 협회에 의해 운영되며, 하나의 서버에서 무료로 제공됩니다. 요청은 한 번에 하나씩, 3초 간격으로 전송되며, 이 최소 간격은 설정으로 낮출 수 없습니다. User-Agent에는 항상 프로젝트와 연락 가능한 주소가 포함됩니다. 서버는 읽기만 하고 절대 쓰지 않습니다.
라이선스
코드는 MIT 라이선스입니다. 컬렉션이 보유한 내용은 Bide & Musique에 귀속됩니다: 결과를 표시할 때 사이트를 출처로 표시하고 레코드에 링크를 걸어주세요.
Available Tools
5 toolsget_artistRead an artist's pageARead-onlyIdempotent
Read an artist's page on Bide & Musique: the names they recorded under, what the catalogue notes about them, and every song of theirs the collection holds, each with its year. Takes the 'artist_id' that search_songs, get_song and get_random_song return. An artist page is a way into a discography rather than a biography: half of them state nothing beyond the name, and the median artist has one record here. Fields the page does not state come back null or empty, which is the ordinary state of this catalogue rather than a failed read. The date of birth comes back exactly as written, since the catalogue states a full date, a bare year, or a date with a death beside it. Nationality is free text for the same reason. Rows come in the site's order, by year of release, never by importance. When you show an artist to a user, credit Bide & Musique and link the page.
| Name | Required | Description | Default |
|---|---|---|---|
| limit | No | Maximum songs of the discography to return. | |
| artist_id | Yes | The artist id returned by search_songs, get_song or get_random_song, digits only, for example '290'. |
Output Schema
| Name | Required | Description |
|---|---|---|
| url | Yes | |
| name | Yes | |
| links | Yes | Addresses off the site, with the label the page gave them. |
| notes | Yes | |
| source | Yes | |
| aliases | Yes | Other names this artist recorded under, as the page stacks them. |
| surname | Yes | |
| see_also | Yes | |
| artist_id | Yes | |
| photo_url | Yes | |
| birth_date | Yes | Exactly as published, which may be a day, a bare year, a month and a year, or a date with a death beside it. Nothing here is parsed into a date. |
| first_name | Yes | |
| discography | Yes | |
| nationality | Yes | As the catalogue writes it, in its own words: 'suisse', 'franco-espagnole'. |
| presentation | Yes | |
| songs_on_page | Yes | Songs the page held, before 'limit'. |
| discography_count | Yes | Songs returned, after 'limit'. |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
The description adds substantial behavioral detail beyond the annotations: it explains null/empty fields as normal, the exact formatting of date of birth and nationality, the ordering of rows by year, and the requirement to credit Bide & Musique. This fully discloses the tool's behavior and aligns with the readOnlyHint and idempotentHint annotations.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The description is longer than minimal but every sentence contributes meaningful information: purpose, input source, null behavior, date format, ordering, and citation. It is front-loaded with the purpose and weaves in necessary context without redundancy.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
Given the output schema exists, the description does not need to enumerate return fields. It covers all critical behavioral aspects—null handling, field formats, ordering, and attribution—making it complete for the tool's complexity. The explanation of the sparse catalogue helps the agent interpret results appropriately.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema coverage is 100% and both parameters have descriptions. The description adds value by explaining that artist_id is the identifier returned by other search tools, which is not in the schema. However, it does not clarify the limit parameter's behavior relative to the 'every song' claim, so it doesn't fully resolve potential ambiguity.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
The description clearly states the tool reads an artist's page and enumerates its contents (names recorded under, catalogue notes, and songs with years). It distinguishes itself from siblings like search_songs and get_song by targeting the artist resource specifically.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
It explicitly tells the agent that artist_id comes from search_songs, get_song, and get_random_song, providing the necessary context for when to use this tool. It also sets expectations about the sparse nature of artist pages, but does not explicitly state when not to use it or name alternatives for similar queries.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
get_random_songRead a record drawn at randomARead-only
Read one record drawn at random from the Bide & Musique collection: same answer as get_song, on a record nobody chose. Use it to browse the collection. For a question about a particular song, use get_song. The draw runs over the ids the site serves, from the first to the newest one its feed of new entries names, and an id the collection does not serve is drawn again. Records whose page carries a transcription come back with the words themselves, as published. When you show a record to a user, credit Bide & Musique and link the page.
| Name | Required | Description | Default |
|---|---|---|---|
| include_lyrics | No | Whether to return the transcription the drawn record's page carries. Browsing chains many calls, and a record with one runs to a few thousand characters. |
Output Schema
| Name | Required | Description |
|---|---|---|
| url | Yes | |
| year | Yes | |
| notes | Yes | |
| title | Yes | |
| top50 | Yes | |
| artist | Yes | |
| labels | Yes | One entry per label, two when a record was co-released. |
| lyrics | Yes | |
| source | Yes | |
| song_id | Yes | |
| writers | Yes | Writers and composers as credited, one entry each, empty when the record credits none. A few records name the part someone took, and the entry then reads as the site prints it, for example 'Paroles : Jean-Pierre Lang'. |
| added_on | Yes | The day the collection catalogued it, as an ISO date. |
| comments | Yes | |
| duration | Yes | |
| see_also | Yes | Other artists the record links to. |
| image_url | Yes | |
| favourites | Yes | How many people keep it as a favourite. Null when the page prints no counter. |
| presentation | Yes | What the catalogue wrote about the record. |
| thumbnail_url | Yes | |
| sleeve_credits | Yes | Who is credited for the sleeve, when anyone is. |
| credited_performer | Yes | A performer the sleeve credits apart from the artist page, when the record names one. |
| catalogue_reference | Yes | The reference printed on the record. A reference of four digits is not a year. |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Annotations already provide readOnlyHint=true and destructiveHint=false, and the description adds valuable behavior: the draw covers served ids, invalid ids are redrawn, and results include transcriptions if present. It also adds attribution requirements for showing to users, which is beyond the annotations. No contradiction.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The description is efficient, front-loading the core purpose, then usage, then behavior, and ends with attribution. Every sentence adds value; the only slight inefficiency is the last sentence about crediting, which could be shorter, but it's necessary context. No wasted words.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
The tool is simple (one param, read-only, no output schema needed as it's described as same as get_song), and the description covers purpose, usage, behavior, parameter purpose, and attribution. Complete for its complexity. The output schema likely mirrors get_song, so no need to detail returns.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
The schema covers the single parameter with full description, so the bar for added value is modest. The description adds why the parameter exists (to avoid heavy calls in browsing chains) and what it controls (whether to include transcription), though it doesn't add syntax details. Given full schema coverage, a 4 is justified for the contextual usage guidance.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
The description clearly states it reads a random record from the Bide & Musique collection, same answer as get_song. It distinguishes itself from siblings by explicitly contrasting with get_song for particular song queries, and from search_songs and list_new_songs by its random selection.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
The description explicitly says when to use: to browse the collection, and when not to: for a question about a particular song, use get_song. This direct alternative guidance is among the best evidence for this dimension.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
get_songRead a song's recordARead-onlyIdempotent
Read one song's record on Bide & Musique: the year, the writers and composers, the duration, the label and its catalogue reference, the sleeve, when the collection catalogued it, how it ranked in the station's own chart, and how many people kept it as a favourite. Takes the 'song_id' that search_songs returns. Three things are always there: the title, the artist and the duration. Everything else is absent on some records, and comes back null or empty rather than guessed; a counter the record does not print is unknown, not zero. Records whose page carries a transcription come back with the words themselves, as published, along with who typed them. A record whose page carries none says so. When you show a record to a user, credit Bide & Musique and link the page.
| Name | Required | Description | Default |
|---|---|---|---|
| song_id | Yes | The song id returned by search_songs, digits only, for example '1734'. | |
| include_lyrics | No | Whether to return the transcription the page carries. A record whose page has one runs to a few thousand characters, so ask for false when the question is about the record: the year, the label or the writers. 'lyrics.available' still says whether the page has one. |
Output Schema
| Name | Required | Description |
|---|---|---|
| url | Yes | |
| year | Yes | |
| notes | Yes | |
| title | Yes | |
| top50 | Yes | |
| artist | Yes | |
| labels | Yes | One entry per label, two when a record was co-released. |
| lyrics | Yes | |
| source | Yes | |
| song_id | Yes | |
| writers | Yes | Writers and composers as credited, one entry each, empty when the record credits none. A few records name the part someone took, and the entry then reads as the site prints it, for example 'Paroles : Jean-Pierre Lang'. |
| added_on | Yes | The day the collection catalogued it, as an ISO date. |
| comments | Yes | |
| duration | Yes | |
| see_also | Yes | Other artists the record links to. |
| image_url | Yes | |
| favourites | Yes | How many people keep it as a favourite. Null when the page prints no counter. |
| presentation | Yes | What the catalogue wrote about the record. |
| thumbnail_url | Yes | |
| sleeve_credits | Yes | Who is credited for the sleeve, when anyone is. |
| credited_performer | Yes | A performer the sleeve credits apart from the artist page, when the record names one. |
| catalogue_reference | Yes | The reference printed on the record. A reference of four digits is not a year. |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Beyond the annotations (readOnlyHint, idempotentHint, openWorldHint), the description reveals key behaviors: missing fields return null or empty rather than guessed, a counter not printed is unknown (not zero), lyrics inclusion can be controlled via a parameter, and the credit requirement. No contradictions with annotations—all align. This is exemplary transparency.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The description is well-structured with a clear front-loaded purpose, followed by parameter guidance, behavioral details, and a final usage note. It contains several sentences, but each adds value—no redundancy. It could be slightly tightened (e.g., the credit sentence is somewhat tangential), but overall it efficiently conveys necessary information for an AI agent.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
Given the tool's complexity (multiple fields, null handling, lyrics behavior) and the presence of an output schema for return structure, the description covers all essential aspects: input source, parameter behavior, data completeness semantics, lyrics control, and attribution requirements. Nothing important is missing, making it fully complete for an AI agent to use correctly.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Although schema coverage is 100%, the description adds significant value beyond the schema: it explains the source of song_id (from search_songs), the rationale for setting include_lyrics false (to avoid large transcripts when metadata is needed), and mentions an output field ('lyrics.available') that informs decision-making. This goes well beyond the baseline of 3.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
The description explicitly states the tool reads one song's record and lists specific fields (year, writers, composers, duration, etc.), with a clear verb ('Read') and resource ('song's record'). It distinguishes from siblings by specifying it takes a 'song_id' from search_songs, implying a targeted lookup. A definitive 5 for clarity and specificity.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
The description provides clear guidance on when to use the tool (to read a specific song's record) and offers parameter-level advice (set include_lyrics to false when the question is about metadata like year or label). It connects to search_songs as the source of the song_id. However, it does not explicitly contrast with siblings like get_random_song or list_new_songs, which would earn a 5. A strong 4.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
list_new_songsRead what was just cataloguedARead-onlyIdempotent
Read the records Bide & Musique has just catalogued. The collection is built by hand and grows a few records at a time, so this answers what has been added lately rather than what the station is playing. The feed carries a fixed number of entries and offers no second page, so the count is what it holds and says nothing about how many records the collection has. Entries come in the order the feed publishes them, which runs newest first without being sorted: read 'published_at' rather than the position to date one. Each entry names the song and the artist as one line, which is read apart at the first separator and kept whole under 'listed_as'. Use get_song on the id for the record itself: year, writers, label, duration and the words when the page carries them. When you show a record to a user, credit Bide & Musique and link the page.
| Name | Required | Description | Default |
|---|---|---|---|
| limit | No | Maximum entries to return, taken from the head of the feed. |
Output Schema
| Name | Required | Description |
|---|---|---|
| notes | Yes | |
| source | Yes | |
| results | Yes | |
| result_count | Yes | |
| entries_in_feed | Yes | How many entries the feed carries, read or not. It is a fixed window on the newest records, never a count of the collection. |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
The description goes well beyond annotations by explaining behavior not covered: the fixed-size feed with no second page, lack of sorting (despite newest-first appearance), and how entries combine artist/song into one line. It also tells the agent to parse 'published_at' instead of position. All annotations (readOnlyHint, idempotentHint, openWorldHint) are consistent; no contradiction.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The description is well-front-loaded with the core purpose, but the middle paragraph includes multiple nuanced behavioral notes (one-entry-per-line parsing, order caveats) that could be restructured for faster scanning. Still, every sentence adds value with no waste.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
Given the simplicity (1 optional param, no nested objects), the description fully covers return shape (id, listed_as, published_at), subtle ordering behavior, and how to use the result. The presence of an output schema reduces burden further. All agent decision points are addressed.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema coverage is 100% with one parameter (limit) already described. The description adds context that limit takes from the 'head of the feed,' confirming it pulls from the start (newest entries). This adds slight value beyond the schema's default/minimum/maximum descriptions.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
The description clearly states the tool returns recently catalogued records from Bide & Musique, contrasting with station playlists. It specifies that the feed has a fixed number of entries, no pagination, and entries are ordered by publication date (newest first). This uniquely distinguishes it from siblings like search_songs.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
Explicitly states when to use this tool: to see what has been added lately, not what is playing. Provides alternatives: use get_song on the id for full record details. Also warns that count does not reflect total collection size. 'credit Bide & Musique and link the page' gives a when-showing-to-user directive.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
search_songsSearch songsARead-onlyIdempotent
Search the Bide & Musique collection: French songs, mostly forgotten ones, catalogued by hand since 2000 by the association that runs the station. Bide & Musique is a French site, so French terms work best. 'search_type' picks the axis and has to be stated: 'performer' for the artist credited on the record, 'title' for the name of the song, 'writer' for who wrote or composed it, 'lyrics' for the words sung in it, 'label' for the label it came out on, 'year' for the year printed on it. Each asks a different question and they are never merged, so a name that finds nothing as a performer may still be a title. 'year' takes one four-digit year and nothing else: the site drops any other word on that axis instead of filtering on it, and the ranges its own form documents return nothing. To combine a year with words, search the words on their own axis and read each record's year from its page. Use 'lyrics' to find a song from a line someone remembers. It answers with the songs whose words match, without showing what matched; read the words themselves with get_song on the id. Several keywords are combined with AND, each matched inside words, so every extra word narrows the search and never widens it. Quoting a phrase returns nothing, whatever the site's own form says. Results carry the song id, the artist and the page to read, which is where the song's own record lives: year, label, catalogue reference and writers. The count returned counts matching songs across every page, so it is usually larger than the rows of one page; ask for the next page with 'page'. When you show a song to a user, credit Bide & Musique and link the source URL.
| Name | Required | Description | Default |
|---|---|---|---|
| page | No | Which page of results to read. The answer states which page the site served. | |
| limit | No | Maximum songs to return from that page. | |
| query | Yes | What to search for, in French, for example 'Pierre Bachelet' or 'vacances'. | |
| search_type | Yes | Which axis to search: 'performer' for the artist credited on the record, 'title' for the name of the song, 'writer' for who wrote or composed it, 'lyrics' for the words sung in it, 'label' for the label it came out on, 'year' for the year printed on it. The 'year' axis takes one four-digit year and nothing else: the site drops any other word there instead of filtering on it. |
Output Schema
| Name | Required | Description |
|---|---|---|
| notes | Yes | |
| query | Yes | |
| source | Yes | |
| results | Yes | |
| page_count | Yes | |
| page_served | Yes | The page the site actually served, read from its pagination bar. Asking for a page past the last one returns the last page, so this can differ from 'page_requested'. |
| search_type | Yes | |
| result_count | Yes | Songs returned, after 'limit'. |
| rows_on_page | Yes | Songs this page held, before 'limit'. |
| total_matches | Yes | The number Bide & Musique prints above the results, counting matching songs across every page. Null when the site printed none, which is different from zero. |
| has_more_pages | Yes | |
| page_requested | Yes |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Annotations already indicate readOnlyHint, openWorldHint, idempotentHint=true, destructiveHint=false. The description adds significant behavioral context beyond annotations: the year axis drops extra words, quoting fails, search uses AND matching inside words, results include song id/artist/page/fields but not matched lyrics, count is total across pages, pagination with 'page' parameter. No contradictions with annotations.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The description is long but every sentence serves a purpose—it covers the collection nature, axis behaviors, search logic, pagination, and attribution. It is front-loaded with the collection context. Minor structural improvement could be made (e.g., bullet-like separation of axis behaviors), but it remains clear and not verbose.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
Given the complexity (6 axes, special rules for year and quoting, pagination, output format), the description is remarkably complete. It explains what results contain (song id, artist, page, year, label, catalogue, writers), how to get more pages, and the fact that the count is total. The output schema is not provided in the prompt, but the description covers its key fields. No gaps are apparent.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema coverage is 100%, so baseline is 3. However, the description adds deep semantic value: explains the meaning and appropriate uses of each search_type value, that query should be in French, how year axis behaves differently, and that quoting a phrase yields no results. This goes well beyond the schema's bare descriptions.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
The description clearly states that the tool searches the Bide & Musique collection of French songs, with a specific focus on forgotten ones hand-catalogued since 2000. It distinguishes the tool from siblings like get_song (single retrieval) and get_random_song by focusing on search across multiple axes. The verb 'search' and resource 'collection' are explicit and unambiguous.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
Provides extensive guidance: explains that search_type is required, each axis answers a different question, year must be a single four-digit number, how to combine year with other terms, use lyrics to find songs from remembered lines, quoting returns nothing, AND logic for multiple keywords, pagination behavior, and the need to credit the source. Also warns about the count being across all pages, not just the current one. This covers when and how to use the tool effectively.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
Tool Schema Changelog
Recent tool additions, removals, and schema changes observed during successful MCP inspections.
2 tool updates
v1.0.0- Changed
get_artist1 field changed- changed
Input schema / properties / artist_id / descriptionPrevious value: -"The artist id returned by search_songs or get_song, digits only, for example '290'."New value: +"The artist id returned by search_songs, get_song or get_random_song, digits only, for example '290'."
- Changed
get_random_song1 field changed- added
Input schema / properties / include_lyricsAdded value: +{ + "default": true, + "description": "Whether to return the transcription the drawn record's page carries. Browsing chains many calls, and a record with one runs to a few thousand characters.", + "type": "boolean" +}
5 tool updates
v0.3.0- First observed
get_artist - First observed
get_random_song - First observed
get_song - First observed
list_new_songs - First observed
search_songs
TDQS
Scored across 5 tools
Each tool serves a clearly distinct purpose: artist pages, song search across multiple axes, song details, random browsing, and newest additions. There is no overlap or ambiguity between them; an agent can easily select the right tool for the task.
All tools follow a consistent verb_noun pattern: get_artist, get_song, get_random_song, list_new_songs, search_songs. The prefix clearly indicates the action (get/search/list) and the noun indicates the resource, making the API predictable and easy to navigate.
Five tools is an ideal size for this server's purpose—a focused read-only music archive. Each tool serves a distinct user need without redundancy or bloat, and the count is well within the optimal range for a domain-specific MCP server.
The tool surface fully covers the apparent domain: searching the catalog, retrieving artist and song details, browsing randomly, and checking new additions. There are no missing operations that would prevent an agent from accomplishing typical tasks like finding a song, learning about an artist, or exploring the collection.
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