studio-mcp
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- AlicenseNot gradedqualityBmaintenanceEnables AI agents to turn natural-language creative direction, transcripts, and source media into fully structured, editable video projects, then verify and render delivery files.2MIT
- AlicenseNot gradedqualityCmaintenanceEnables AI agents to autonomously edit videos into publish-ready vertical short-form content, including silence removal, subtitle generation, voiceover synthesis, color grading, and composite pipeline creation.MIT
- AlicenseBqualityBmaintenanceEnables LLMs to plan and stage editable Blender scene animations via a typed ShotSpec, with a safe stage/review/apply workflow, scene scanning, locomotion planning, and MCP integration for Codex/ChatGPT clients.17GPL 3.0

Eversince MCP Serverofficial
AlicenseNot gradedqualityDmaintenanceA creative agent that plans and executes across image, video, and audio. Uses 30+ tools, orchestrates 20+ AI models, and does agentic timeline editing.MIT- AlicenseNot gradedqualityCmaintenanceEnables LLM agents to generate labeled contact sheets of Manim animations, scaffold storyboards from renders, and validate rendered steps against expected intents via MCP tools.MIT
- AlicenseNot gradedqualityBmaintenanceAI-native timeline editor for short-form video. Your agent cuts, captions, adds motion graphics and renders against a real, editable timeline over MCP — not a render queue. Human-in-the-loop by design: it calls request_review and waits while you supervise in a browser. Local-first and AGPL; your footage never leaves your machine.1AGPL 3.0
TDQS
Scored across 5 tools
Each tool has a distinct purpose: assemble builds the cut manifest, lock_campaign sets the visual look, plan_shots creates the shot plan, project_status reports stage completion, and qc_still performs quality control. There is no overlap or ambiguity between them.
Tool names are not perfectly consistent: 'assemble' is a bare verb, while others follow verb_noun (lock_campaign, plan_shots) or noun_noun (project_status) patterns, and 'qc_still' uses an abbreviation. The naming is understandable but lacks a uniform convention.
With 5 tools, the count is appropriate for the domain of film production planning and quality control. It covers the main workflow stages without being too heavy or too sparse, though a few more specialized tools could be added later.
The tool set covers the core stages: planning, look locking, assembly, QC, and status tracking. Notable gaps like actual rendering or exporting are intentionally omitted per v1 scope. The surface is fairly complete for its intended purpose.