cochlea
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TDQS
Scored across 12 tools
Each tool targets a distinct artifact or operation: score authoring/validation/rendering, MIDI conversion, full/digest/visual audio analysis, and comparison. The analysis tools do overlap in feature space, but the descriptions explicitly differentiate probe_digest, loudness_timeline, beat_grid, and spectrogram from probe_audio, so an agent can reliably pick between them.
The majority of tools follow a clear snake_case two-word pattern (lint_score, render_score, probe_audio, import_midi, transcribe_audio), and the remaining names are still descriptive and readable. Minor deviations exist: spectrogram is a single word, and several output-oriented names like audio_diff, loudness_timeline, and beat_grid are noun phrases rather than verb_noun commands.
Twelve tools is a well-scoped count for a music/audio composition and analysis server. Each tool adds a distinct capability, and there is no obvious redundancy or filler; the set feels intentionally sized for the compose-render-probe-revise workflow.
The server covers the full workflow: score reference, validation, rendering, multiple analysis modalities, audio diffing, MIDI import/export, and audio-to-score transcription. The loop from composing a score to hearing, inspecting, comparing, and revising it is fully closed, with no critical dead ends for the stated purpose.