doricomcp
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TDQS
Scored across 66 tools
Most tools have a clear verb+object purpose (add_notes, read_markings, set_tempo), but several overlap: add_span vs add_hairpin both create hairpins, add_articulation vs add_note_marking (kind=articulation) both add articulations, and delete_range vs delete_events both remove content. set_property and run_command are generic catch-alls that could do almost anything, though the descriptions do explicitly point to the specialised tool ('for exact positions use add_hairpin'), which keeps misselection recoverable rather than fatal.
The dominant pattern is verb_noun (add_player, get_score_overview, read_music, delete_flow, set_pitch), applied consistently across the large write surface. Deviations are limited to a few noun_verb tools (dialog_click, dialog_set, layout_flows, score_changes) and bare-verb transport tools (play, stop, undo, redo, refresh, screenshot), which are conventional enough not to break predictability.
66 tools is far beyond what an agent can comfortably scan and choose from in one surface, even for a rich domain like score engraving. The set is really several servers in one (transport/undo, accessors, music reading, note writing, markings, dialogs, house style), and should have been grouped or narrowed.
Coverage is unusually thorough: status/diagnostics, structure (players, flows, layouts), reads (music, markings, context, bar map, changes), note and marking writes, options, dialogs and an escape hatch, plus undo/redo. Minor gaps remain — no remove_player or delete_layout (removal exists for instruments and flows only), no transpose/bulk pitch-shift beyond edit_notes, and no way to read back a layout's flows (layout_flows is write-only).