deadwax
Enriches tracks with genre data by matching each track's ISRC, filling a gap in Spotify's metadata so the MCP tools can reason over genres when answering queries and constructing playlists.
Enables pulling a user's saved Spotify tracks via read-only PKCE authentication into a local library that the MCP tools can query for music questions and playlist building.
Click on "Deploy Server".
Wait a few minutes for the server to deploy. Once ready, it will show a "Started" state.
In the chat, type
@followed by the MCP server name and your instructions, e.g., "@deadwaxCreate a playlist of my most played songs from 2023, exactly 45 minutes."
That's it! The server will respond to your query, and you can continue using it as needed.
Here is a step-by-step guide with screenshots.
Deadwax
An agentic music librarian over a personal music library. It answers natural-language questions about the tracks you have saved, and builds playlists against hard constraints — with a deterministic validator, a repair loop, and an eval suite that reports pass rates rather than pass/fail.
Try the live demo — it runs on a fixed 100-track library, the same data the eval suite grades. It is on a free server that sleeps when idle, so the first visit can take about a minute to wake it.
Built as a portfolio piece demonstrating production LLM engineering practice: tool use, evaluation, tracing, retrieval, real data, an MCP server and a deployed demo.
The interesting part
Most LLM demos work until you run them twice. Deadwax is built around what happens on the second run.
The system is split down one line: the model never computes. It interprets language,
chooses tools, and composes prose. Every arithmetic operation, threshold check and
constraint adjudication happens in plain Python that has no idea an LLM exists. When a
playlist violates a constraint, the validator does not return False — it returns a
violation code, the offending track ids, and a concrete remedy, which is the only reason
an automated repair loop can work at all.
Feasibility is checked before generation. If a brief cannot be satisfied, the system
says so. It never pads, substitutes, or silently degrades — status="infeasible" is a
correct outcome with its own eval cases.
Related MCP server: YouTube Music MCP Server
Architecture rules
Not stylistic preferences. Violating any of these defeats the purpose of the project.
The model never computes.
Tool descriptions are behaviour control — they are prompts, not documentation. Changing one is a behavioural change and is re-evaluated before merging.
Violations are machine-actionable: a code, the offending ids, a remedy. Never a bare boolean, never prose alone.
Feasibility is checked before generation.
Failure is a valid outcome.
Hard constraints are measured and enforced. Soft constraints are inferred and scored, and carry a
provenancefield that any message about them must disclose.No model call without a trace.
Decisions and their trade-offs are recorded in docs/adr.
Stack
Everything runs on a free tier. That is a hard constraint, not a preference.
Layer | Choice |
Language | Python 3.13 |
Toolchain | uv for dependencies and Python itself, ruff for lint and format, pytest |
Agent | LangChain, introduced at stage 3 and not before |
Model | Google Gemini Flash, falling back across Gemini free-tier models. OpenRouter fallback is planned, not built |
Store | SQLite via the |
Retrieval | Build-time embeddings, cosine similarity in plain Python — no vector database |
Tracing | Langfuse |
Interop | Model Context Protocol server |
Site | Astro on Cloudflare Pages, static — the one JavaScript component |
Live demo | Gradio on a free Render web service — why not Hugging Face |
Stages 0 through 2 use the standard library only — no framework, no SDK, no dependencies. The raw HTTP call is written by hand before any abstraction is introduced, so that when a framework misrepresents what it is doing, the difference is visible.
Running it
You need git and uv. uv installs and manages Python itself, so nothing else is required. On Windows:
winget install --id=astral-sh.uv -eElsewhere, follow uv's installation guide. Then:
git clone https://github.com/TheDavidKoen/deadwaxcd deadwaxuv syncThat creates a virtual environment, installs the pinned Python version from
.python-version, and installs the project.
Add a free Gemini API key from Google AI Studio. Copy
the template — copy on Windows, cp elsewhere:
copy .env.example .envPaste the key after GEMINI_API_KEY=, then ask it something:
uv run deadwax "build me a 30 minute playlist of ambient tracks, nothing over 8 minutes"The model that answered, the library it read, every tool call and, with tracing on, a link
to the trace are printed to stderr, so the answer alone pipes cleanly. --model pins a single
model instead of falling back through the free-tier list.
Free-tier limits are per model and differ by an order of magnitude between them. Your account's actual numbers are at aistudio.google.com/rate-limit; Google no longer publishes a per-model table in the API documentation.
Against your own Spotify library
The fixtures are the default and need no Spotify account. To run the same agent over your own
saved tracks, create an app at developer.spotify.com
with the redirect URI http://127.0.0.1:8888/callback, put its client ID in .env as
SPOTIFY_CLIENT_ID, then:
uv run deadwax-spotify loginuv run deadwax-spotify pulllogin opens Spotify in the browser, asking for read-only access, using PKCE, so no client
secret exists to leak. pull writes data/library.sqlite, which is gitignored. Set
DEADWAX_LIBRARY=data/library.sqlite in .env and every tool reads it instead of the
fixtures; the [library] line on stderr says which one answered.
$ uv run deadwax "what is my most played song?"
Your library does not track play counts or listening history, so I cannot tell you which
song is your most played.Spotify no longer publishes genres or energy, so genres come from MusicBrainz, matched by each track's ISRC rather than by name, and energy is left unknown rather than invented. What the real data lacks, and why each gap stays a gap, is in ADR 0010. Spotify's Development Mode needs the app owner to have Premium; the fixtures need nothing.
From Claude Code, over MCP
The same four tools are also an MCP server. The repository's .mcp.json registers it, so
Claude Code started in the repository root offers to connect. To run it by hand:
uv run deadwax-mcpIt speaks MCP over stdio, reads .env like the CLI, and answers from whichever library
DEADWAX_LIBRARY selects. The tool descriptions are the agent's own, registered by reference
rather than copied, and the system prompt is sent as the server's instructions. What does not
travel — the repair-loop supervisor, the step limit, the citation check — is in
ADR 0011.
In the browser
demo/ is the Gradio app behind the live demo. Its dependencies are in a
separate demo group, so the package itself never installs Gradio. To run it locally:
uv run --group demo demo/app.pyIt always answers from the fixtures and always uses gemini-3.5-flash-lite, whatever .env
says, so the demo runs the model and data the scorecard measures. Beside each answer it shows
the tool calls behind it, and a library table filtered to the tracks the answer rests on. That
table is recomputed in Python from the tool calls, not taken from the model's reply. A daily
question cap, DEADWAX_DEMO_DAILY_QUESTIONS, keeps a public demo inside the free tier.
The demo remembers the last three exchanges, so a visitor can answer the agent's follow-up questions. Only the question and answer text is carried forward, never earlier tool calls, so every turn fetches its numbers afresh and the repair-loop supervisor never sees a previous turn's playlist. The eval cases are all single questions, so follow-ups are not measured.
render.yaml deploys it to Render once CI passes on main, installing exactly the versions
in uv.lock. The free service sleeps after 15 idle minutes, and while it sleeps nothing of it
is running to say so; Render shows its own loading page while it wakes. demo/wake/ is a
branded alternative, published as a separate static site that never sleeps: it explains the
wait, checks every few seconds whether the demo is up, and goes there the moment it is. Why the demo moved from Hugging Face, and what the move costs, is in
ADR 0012.
Measuring variance
The same question does not produce the same trajectory twice, so the repository ships the harness that measures it rather than asserting a number:
uv run scripts/measure_variance.py "build me a 30 minute playlist" --runs 10It pins one model — a sample spread across models measures the models, not the system —
throttles below the provider's per-minute ceiling, and writes every tool call and answer to
evals/variance/ after each run rather than at the end, so an interrupted sample keeps what
it has.
Two recorded samples are committed as the evidence behind
ADR 0004:
2026-09-04-before-fixes.json and 2026-09-04-after-fixes.json.
Tracing
Every model call goes through Langfuse — rule 7, and the one rule that stayed unticked from stage 5 to stage 8.
LANGFUSE_PUBLIC_KEY=pk-lf-...
LANGFUSE_SECRET_KEY=sk-lf-...
LANGFUSE_BASE_URL=https://cloud.langfuse.comTracing is optional and the project runs without it. With no keys set, tracing.traced
yields an empty callback list and everything else runs unchanged. CI has no
secrets, and anyone cloning this repository can run the agent with a Gemini key alone.
Observability that breaks the thing it observes when switched off is not observability.
A chat model is invoked in exactly two places — the agent stream, and the tool-free closing turn that writes the final answer — and the handler reaches both. Covering only the first would leave every sentence a user actually reads untraced while the rule appeared satisfied. The embedding calls behind retrieval are traced too, each as an embedding span.
The eval runner names each trace after its case and attaches the four scores to it, so a red
cell in the scorecard is a filter in the Langfuse UI rather than a hunt. Each recorded attempt
also carries its own trace_url, which makes a results file from three weeks ago still
clickable.
[trace] https://cloud.langfuse.com/project/<id>/traces/<id>The CLI prints that line to stderr on every run while tracing is on.
A known false alarm
A LangGraph span marked ERROR means the supervisor halted a successful run. Nothing
failed. ask breaks out of .stream() the moment validate_playlist returns ok: true,
which closes the generator mid-flight, and LangChain reports the chain as errored.
The correlation is exact: runs that stop early are ERROR, runs that finish on their own are
DEFAULT. Which makes the signal backwards — a well-behaved playlist run is flagged, while
are-there-any-rap-songs, which genuinely gives up, sits there clean.
The trace's root span and its four scores carry the truth; the LangGraph level does not.
The real fix is to halt from inside the graph rather than breaking the generator from outside,
which is a redesign of ADR 0005's
mechanism and needs its own eval run.
Worth recording how this was found: tracing surfaced it within ten minutes of being switched on, and it was a defect in code written two stages earlier that every eval sweep had scored as correct — because it is correct. The behaviour was right and the reporting was wrong, and nothing without traces would have shown that.
Retrieval corpus
Background on every artist in the fixture library — MusicBrainz facts and the English
Wikipedia article — split into 627 chunks and embedded with gemini-embedding-001. Search is cosine
similarity in plain Python over a committed file, with
no vector database.
uv run deadwax-corpus search "who was the singer in Can"The corpus is a reviewed snapshot rather than something fetched live — see ADR 0008. Several artists share their names with others on MusicBrainz, so every ambiguous match is checked by a person before any text is fetched, and the eval suite always measures the agent against the same text.
Retrieval reliably finds the right artist, but its similarity scores cannot show whether a passage actually answers the question: an irrelevant question about Radiohead scores much like a relevant one about Can. Judging that is left to the model, and the eval suite holds it to it.
Answering from it
The agent reaches the corpus through one tool, enrich_artist(artist, question), which ranks
only that artist's passages and returns the best four with their sources. Answers cite them by
id, and the CLI turns each citation into a source line:
$ uv run deadwax "What is Burial's real name?"
Burial's real name is William Emmanuel Bevan [burial-01].
Sources
[burial-01] Burial, Introduction. https://en.wikipedia.org/wiki/Burial_%28musician%29 (CC BY-SA 4.0)What the model already knows does not count. The artists here are famous, so the model could answer most background questions from training, and an answer from memory looks exactly like one from retrieval. So only retrieved passages are a source, and when they are silent the agent says so:
$ uv run deadwax "Which films has Jonny Greenwood from Radiohead scored?"
My sources do not cover which films Jonny Greenwood has scored.It almost certainly knows the answer. That reply is less helpful and much more trustworthy, and it is the one eval case that can only pass if retrieval, not memory, is the source. Citations are checked in code: a reply that cites a passage the agent was never given fails its eval case and gets a warning instead of a source line. See ADR 0009.
Evaluation
uv run evals/runner.py25 cases in evals/cases/, each run three times, scored on four dimensions separately.
Cases are TOML read with tomllib — a read-only parser, so no code in this repository can
write one at runtime.
The first fifteen were written by hand by the author, before the code they grade was
finished. The eight adversarial cases added at stage 7 were drafted by an assistant against
the fixture data and reviewed by the author, and the two retrieval cases at stage 9 were
drafted by an assistant against the corpus. evals/cases/README.md records which is which,
because a suite that grades its own author's code is worth less than one that does not, and
saying so is cheaper than being caught.
gemini-3.5-flash-lite pinned. The current suite is 25 cases. Earlier rows used the 15- and
23-case suites and are kept because each was measured against the one before it. A number
from one suite is not comparable to a number from another — the denominator changed on
purpose. The stage 9 sweep is also scored on the 23 older cases alone, which is the
like-for-like comparison with the row above it.
cases | tool selection | parameters | answer content | convergence | |
| 15 | 100% | 100% | 93% | 98% |
stage 6 · repair loop | 15 | 100% | 100% | 89% | 100% |
ranking in Python | 15 | 100% | 100% | 91% | 100% |
— | |||||
stage 7 · adversarial | 23 | 100% | 97% | 88% | 100% |
stage 8 · tracing | 23 | 100% | 96% | 87% | 100% |
— | |||||
stage 8, rescored against corrected cases | 23 | 100% | 96% | 71% | 100% |
refusal arithmetic fixed | 23 | 100% | 100% | 96% | 100% |
— | |||||
stage 9 · retrieval | 25 | 100% | 99% | 95% | 100% |
the same sweep, older 23 cases only | 23 | 100% | 100% | 94% | 100% |
stage 10 · real data, fixtures still graded | 25 | 100% | 99% | 95% | 100% |
— | |||||
the never-played filter, with four sentences of description | 25 | 96% | 96% | 92% | 100% |
the never-played filter, parameter only | 25 | 100% | 100% | 97% | 100% |
The stage 7 and stage 8 rows measure the same behaviour; only the sample differs. The stage 7
sweep lost 4 of 69 attempts to provider 504s, which are excluded from every rate, while the
stage 8 sweep was the first with zero transport errors.
The two rows after the stage 8 sweep are graded by the same case files. An audit found that the refusal cases never checked for raw milliseconds, and 11 of 12 refusal answers contained them. Adding that check and rescoring the committed stage 8 sweep — at no API cost — dropped its answer content from 87% to 71%. That drop is not a regression. It is the old number being measured properly for the first time.
That is what the err column is for. Read it before the percentages: rates computed over a
short sample are weaker, and burying that would make every other number less trustworthy.
Stage 6 took the stop condition out of the system prompt and put it in code — see
ADR 0005. The case that
motivated it, playlist-max-two-per-artist, went from an average of 6.7 validate_playlist
calls per run to exactly 1, and from 45,106 tokens to 16,889.
Then query_library gained an order_by computed in Python. Finding a longest track or a
highest-energy one is a comparison, and a comparison is a calculation — asking the model to
scan a list for a maximum breaks rule 1 as surely as asking it to add. longest-track
dropped from two calls and 11,200 tokens to one call and 4,528. Exposing energy with its
provenance alongside took energy-disclosed-as-estimate from 67% to 100%, and for the
right reason: it had been passing on the model repeating a line from the system prompt about
a field the tool never returned.
Stage 7 added eight cases chosen to be hard, and they found three real defects. All three are now fixed; ADR 0007 covers why each fix sits where it does.
Refusals did arithmetic. Every refusal converted milliseconds to minutes by hand, and some got it wrong — "22.5 minutes (1,355,000 ms)" for a figure of 22:35. Tools now return display forms of every number a user reads, and refusals quote them: "the most this library can provide is 9:51."
Rule 6 was unreachable. The validator could score energy, but no tool let the agent ask it to.
validate_playlistnow takestarget_energy, and the score comes back with its provenance: "an energy score of 0.985 … this score rests on estimated values."The agent didn't know the library's vocabulary. Asked for rap, it searched
rap, found nothing and stopped — there are nine tracks taggedhip hop. A genre search that misses now returns the tags the library uses, and the model decides whether the user's word is another name for one. No synonym table exists in code, because that judgement is about language.
never-played-count was the suite's longest-standing red case. It asks about play
history, which no tool could filter on. Until stage 9 the agent made up an answer: the 17 September sweep gave 18, 1 and 23
to the same question, and the true count is 41. In the stage 9 sweep it refused all three
times — "my tools do not track play counts" — after a prompt change about artist background
that never mentions the library. In the stage 10 sweep it refused twice, and once fetched all
100 tracks and counted the empty last_played_at fields itself: "You have 26 tracks … that
you have never played." That is rule 1 broken in the open, with a wrong answer to show for
it. The refusals were never a fix.
The fix is a played filter on query_library, so Python does the counting. It now answers
41, three times out of three. Getting there is the clearest demonstration in this repository
of rule 2. The first version also added four sentences to the tool's description, explaining
when to use the filter. The sweep fixed never-played-count and broke two playlist cases on
every run. high-energy-under-five-minutes stopped building playlists and asked how long the
playlist should be. contradictory-duration was answered as a track search. A control run of
those two cases on the unchanged code passed 6 of 6, so the change was the cause, not the
model drifting overnight. Cutting the text to two sentences fixed one of them. Cutting it to
none fixed both, and the parameter's name alone was enough for the model to use it. Text added
to one tool's description changed how the agent handled requests that never touch that tool.
The parameter alone still moved one routing decision. On the unchanged code,
contradictory-duration went to check_feasibility 9 times out of 9, and with the new
parameter it goes to query_library 3 times out of 3. All three answers say truthfully that no
track is both under 2 minutes and at least 10. One was graded wrong by a bug in its own key —
"here are" matched inside "There are no tracks" — corrected and rescored for both sweeps,
as recorded in evals/cases/README.md. One more says "0 tracks", which the key does not
accept. It stays a miss rather than loosening the key after reading the answer.
On the author's real library, where Spotify supplies only the last 50 plays, the tool adds a
play_history note saying so. Asked the same question, the agent answered "287 tracks …
though note that only your last 50 plays are tracked." No eval case measures that, because
the fixtures have a complete history and never produce the note.
Stage 9 added the two retrieval cases, and both answered correctly every time. The one
parameter miss is jonny-greenwood-film-scores, where one run out of three stopped at "Jonny
Greenwood is not in your library" instead of retrying with Radiohead. The reply was still
honest, so only the parameter check caught it. The one other drop is a refusal in
hip-hop-playlist-artist-cap that named the field min_total_duration_ms to the user, one
run out of three, in a case that was clean on 17 September. Three runs cannot separate a
regression from variance.
Stage 10 put a SQLite store and a real Spotify library behind the tools, and changed no prompt and no tool description. On the fixtures every tool returns exactly what it did before, so the stage 10 sweep is the same inputs graded a second time. The overall scores came out identical, and three cases still moved:
hip-hop-playlist-artist-capwas clean again.high-energy-under-five-minutesbuilt a correct playlist once without saying that energy is an estimate.never-played-countproduced the invented 26.
That is the clearest picture of variance this suite has produced. The aggregate holds steady
while individual cases move, which is why no single case's change between two sweeps counts
as evidence on its own. One attempt in 75 was lost to a provider 503 and is excluded.
Case keys have been corrected four times, each for grading wording rather than fact, and
each recorded in evals/cases/README.md. Every correction was applied to the "before" sweep
as well as the "after", so the comparison holds.
The dimensions are scored separately because they fail differently: the right tool with the wrong argument is a different bug from the wrong tool, and one number hides which you have. Rates, not pass/fail, because a single pass on a system measured to be non-deterministic is an anecdote.
Any commit that changes a prompt, a tool description or a model carries before/after scores in its message.
uv run evals/runner.py --fixtures-onlyValidates every case without an API key. This is what CI runs, and it has already caught an empty case file and a tool-name typo before either cost a request.
Licence
The code is MIT. See LICENSE.
The artist corpus in src/deadwax/data/corpus/ is not covered by that licence. It contains
text from Wikipedia under CC BY-SA 4.0 and data from MusicBrainz under CC0, with every chunk
attributed to its source — see its README.
Built by David Koen.
Available Tools
4 toolscheck_feasibilityARead-only
Check whether a playlist brief is possible at all, before choosing any tracks.
Call this first, before query_library, whenever the user asks for a playlist with constraints. If feasible is false the brief cannot be satisfied by this library: tell the user which constraint fails and stop. Do not build a playlist anyway, do not relax the constraint yourself, and do not try alternative track combinations.
max_achievable_display is the longest playlist the library can produce under these constraints. When explaining a refusal, describe what the user asked for in their own words and quote max_achievable_display for what is possible. Never show the user a millisecond figure and never convert one yourself.
A brief with no constraints at all cannot be checked. If the user has not said how long the playlist should be or what should be in it, ask them before calling this.
| Name | Required | Description | Default |
|---|---|---|---|
| released_after | No | ||
| released_before | No | ||
| required_genres | No | ||
| max_track_duration_ms | No | ||
| max_tracks_per_artist | No | ||
| min_total_duration_ms | No |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Annotations already declare a safe read-only, closed-world operation, and the description goes well beyond them: it discloses the 'feasible' boolean and 'max_achievable_display' return semantics, plus a refusal protocol and a presentation rule (never surface or convert millisecond figures). That is real behavioral context an agent could not infer from readOnlyHint alone.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
Front-loaded with the core purpose and the sequencing rule, and most sentences add distinct policy. The refusal paragraph slightly over-enumerates ('do not build a playlist anyway, do not relax the constraint yourself, and do not try alternative track combinations'), which are three phrasings of one instruction.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
For a six-parameter, no-output-schema tool the usage and refusal policy are complete, but the description omits any explanation of the parameter formats an agent must supply, which is the main remaining risk. It explains two return fields but not the full result shape.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema description coverage is 0%, so the description carries the full burden for six parameters, yet it never explains any of them. It is ambiguous whether released_after/released_before are years or epoch timestamps, and units for max_track_duration_ms and min_total_duration_ms are only obliquely implied by the millisecond warning.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
States a specific verb and resource ('check whether a playlist brief is possible') and positions it temporally ahead of track selection, which distinguishes it from query_library and validate_playlist. An agent knows immediately that this is a pre-flight gate, not a builder or validator.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
Explicit when-to-call ('first, before query_library, whenever the user asks for a playlist with constraints'), explicit when-not ('a brief with no constraints at all cannot be checked — ask them before calling'), and explicit failure behavior ('tell the user which constraint fails and stop', 'do not relax the constraint yourself'). Alternatives and exclusions are both covered.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
enrich_artistARead-only
Look up background on one artist in the user's library, from published sources.
Call this for any question about an artist's history, members, origins, influences or career. Pass the artist's name and the user's question. It returns the passages from MusicBrainz and Wikipedia that best match the question.
Answer only from these passages. If they do not contain the answer, tell the user your sources do not cover it, even if you believe you know. Never fill the gap from your own knowledge.
Cite every passage you use by its id in square brackets, such as [can-03], straight after the claim it supports. Never cite an id this tool did not return.
This tool knows nothing about the user's tracks. Use query_library for those.
| Name | Required | Description | Default |
|---|---|---|---|
| artist | Yes | ||
| question | Yes |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Goes well beyond the readOnly/openWorld annotations by disclosing the data sources (MusicBrainz, Wikipedia), the grounding contract (answer only from returned passages, refuse otherwise), and the citation protocol required in the reply. These are response-shaping rules the annotations cannot convey.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
Front-loaded with purpose, then usage, then output contract, then sibling routing. Every sentence adds an actionable rule; nothing is redundant with the schema or annotations.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
No output schema exists, and the description supplies the return shape ('passages ... that best match the question') along with the id format used in citations. An agent has everything needed to call it and to post-process the result correctly.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema coverage is 0%, so the description must compensate, and it does: 'artist' is clarified as the name and 'question' as the user's question, which implies phrasing the question in natural language rather than keywords. It stops short of format examples or naming conventions for the artist string.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
States a specific verb and resource ('look up background on one artist ... from published sources') and names the sources. The final sentence explicitly separates it from query_library, so an agent can route without opening the schema.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
Gives an explicit trigger ('any question about an artist's history, members, origins, influences or career') and an explicit exclusion plus alternative ('This tool knows nothing about the user's tracks. Use query_library for those.'). Both when and when-not are covered.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
query_libraryARead-only
Search the user's music library and return matching tracks with their totals.
Call this before stating any fact about the library. Never estimate a count, a duration or a track name from your own knowledge, and never add numbers up yourself: use total_matching and total_duration_ms from the result, which are computed exactly. The tracks list is truncated to limit entries, so it may be shorter than total_matching.
To find a longest, shortest, highest or lowest track, pass order_by as one of longest, shortest, highest_energy, lowest_energy and read the first entry. Never rank, compare or pick a maximum out of the list yourself; the ordering is computed here.
Quote duration_display for a track and total_duration_display for a set of them. Never convert milliseconds to minutes yourself.
Energy is an estimate, not a measurement. Every track carries energy_provenance saying where its value came from, and any answer that mentions energy must say it is an estimate.
If a genre search finds nothing, known_genres lists the genre tags the library actually uses. If the user's word is another name for one of them, as rap is for hip hop, search again with that tag and say which tag you searched. Never substitute a genre that is merely related.
| Name | Required | Description | Default |
|---|---|---|---|
| genre | No | ||
| limit | No | ||
| artist | No | ||
| played | No | ||
| order_by | No | ||
| released_after | No | ||
| max_duration_ms | No | ||
| min_duration_ms | No | ||
| released_before | No |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Annotations already establish read-only and non-destructive behavior, but the description adds substantial behavioral context beyond that: the tracks list is truncated to limit, totals are computed exactly, ordering is computed server-side, energy is an estimate with provenance, and genre fallback is available. These details materially change how an agent should interpret and present results.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The description is front-loaded with the core action and key rules, and most sentences carry actionable guidance. It is somewhat long and repeats the same anti-estimation theme across multiple sentences, which costs some conciseness, but the structure remains purposeful.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
There is no output schema, so the description appropriately explains key return fields such as total_matching, total_duration_ms, tracks, duration_display, and energy_provenance. However, for a 9-parameter tool with 0% schema description coverage, it leaves important input filters undocumented, so the overall context is only partially complete.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema description coverage is 0% and there are 9 parameters, so the description must carry the burden of explaining them. It adds meaning for order_by values, genre fallback behavior, and limit truncation, but it does not explain artist, played, released_after, released_before, min_duration_ms, or max_duration_ms, leaving more than half of the parameters undocumented.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
The description states a specific verb and resource: search the user's music library and return matching tracks with totals. It is immediately distinguishable from the sibling tools validate_playlist, enrich_artist, and check_feasibility, which serve different purposes.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
It gives explicit usage rules: call before stating any fact about the library, never estimate counts or durations, use total_matching and total_duration_ms, and pass order_by for longest/shortest/highest/lowest queries. It also explains the genre fallback path and when to search again with known_genres. The guidance is unusually complete for an agent.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
validate_playlistARead-only
Check a proposed playlist against hard constraints and report every violation.
Call this before presenting any playlist to the user. Do not judge for yourself whether a playlist meets its constraints. Each violation names the offending track ids and an adjust_by amount in the constraint's own unit: negative means remove that much, positive means add that much. Act on adjust_by rather than guessing how much to change.
When describing the playlist, quote track_count and total_duration_display from this result verbatim. Never sum durations yourself and never convert milliseconds to minutes yourself.
A duration violation also carries adjust_by_display, the same amount written in minutes and seconds. Show the user that, never the millisecond figure.
Pass the same release-year bounds you gave check_feasibility, so a track outside the window is caught here too.
If the user asks for an energy level or a mood, pass target_energy between 0 and 1. It is scored, never enforced: soft_scores reports how close the playlist came, and because energy is estimated rather than measured, any answer that mentions it must say so.
| Name | Required | Description | Default |
|---|---|---|---|
| track_ids | Yes | ||
| target_energy | No | ||
| released_after | No | ||
| released_before | No | ||
| required_genres | No | ||
| max_total_duration_ms | No | ||
| max_track_duration_ms | No | ||
| max_tracks_per_artist | No | ||
| min_total_duration_ms | No |
TDQS
Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?
Annotations already establish that this is a safe read (readOnlyHint=true, destructiveHint=false), and the description adds substantive behavior the annotations cannot convey: violation records carry track ids and a signed adjust_by in the constraint's unit, duration violations also carry adjust_by_display, and target_energy is scored rather than enforced. It also warns that energy is estimated and must be disclosed, which is a real behavioral constraint on downstream answers.
Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.
Is the description appropriately sized, front-loaded, and free of redundancy?
The most important directive (what the tool does, and call it before presenting) is front-loaded, and every subsequent paragraph carries a distinct instruction: adjust_by semantics, verbatim quoting rules, cross-tool bound reuse, and energy caveat. It is on the long side for a nine-parameter tool, but no sentence is redundant.
Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.
Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?
With no output schema, the description has to sketch the return shape and it does: violations, adjust_by, adjust_by_display, soft_scores, track_count, total_duration_display. The remaining gap is the unmentioned constraint parameters, which an agent must guess from their names alone.
Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.
Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?
Schema description coverage is 0%, so the description carries the full burden. It explains target_energy well (0-1 range, scored not enforced, soft_scores output) and gives intent for released_after/released_before by tying them to check_feasibility, but required_genres, max_total_duration_ms versus min_total_duration_ms, max_track_duration_ms, and max_tracks_per_artist are never mentioned — half the parameters remain opaque.
Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.
Does the description clearly state what the tool does and how it differs from similar tools?
States a specific verb and resource (check a proposed playlist against hard constraints) plus the scope of the output (report every violation). It implicitly separates itself from check_feasibility by instructing the caller to reuse the release-year bounds given to that sibling, so an agent can tell the two apart.
Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.
Does the description explain when to use this tool, when not to, or what alternatives exist?
Explicit temporal gating ('Call this before presenting any playlist', 'Do not judge for yourself'), an explicit cross-tool dependency ('Pass the same release-year bounds you gave check_feasibility'), and an explicit conditional trigger ('If the user asks for an energy level or a mood, pass target_energy'). Nothing is left to inference.
Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.
Tool Schema Changelog
Recent tool additions, removals, and schema changes observed during successful MCP inspections.
4 tool updates
v0.1.0- First observed
check_feasibility - First observed
enrich_artist - First observed
query_library - First observed
validate_playlist
TDQS
Scored across 4 tools
Each tool has a clearly distinct role: check_feasibility checks a brief before track selection, query_library searches local tracks, validate_playlist checks a proposed playlist, and enrich_artist retrieves external artist background. The descriptions explicitly distinguish the two check-style tools by workflow phase and data source.
All four names follow a consistent snake_case verb_noun pattern: validate_playlist, enrich_artist, check_feasibility, query_library. The verbs are distinct and predictable for their actions.
Four tools is well-scoped for a focused playlist-assistant server, with each tool covering a separate workflow stage. There is no redundant or filler tool.
The set covers feasibility checking, library search, playlist validation, and artist enrichment, which supports the core playlist-building workflow. Minor gaps remain around explicitly creating, saving, or exporting a playlist, but agents can work around this by presenting validated playlists.
Maintenance
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