OpenUtau MCP
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- FlicenseNot gradedqualityDmaintenanceControls OpenUtau (vocal synthesis software) from Claude Desktop, enabling project creation, editing, and live note manipulation via a bridge plugin.3-
- AlicenseNot gradedqualityDmaintenanceEnables AI agents to generate, inspect, and micro-tune OpenUtau .ustx project files and DiffSinger neural expression curves.5MIT
- AlicenseNot gradedqualityBmaintenanceEnables Claude to co-produce music in a self-hosted browser DAW by creating and editing patterns, chords, basslines and melodies, arranging and automating tracks, mixing with effects and spatial placement, analyzing and editing samples, rendering mixes with mastering feedback, and exporting MIDI and stems — all reflected live in the studio.MIT
- AlicenseNot gradedqualityDmaintenanceEnables natural language control over Ableton Live for generating musical patterns, melodies, and full song arrangements. It also provides tools for sample searching and mixing assistance through an OSC-based connection with Claude Desktop.1MIT
- AlicenseNot gradedqualityDmaintenanceEnables semantic search of local audio samples by describing sounds, MIDI generation, stem separation, and other music production tools from Claude Desktop.2MIT
- AlicenseBqualityBmaintenanceTurns lyrics plus a chord progression into a .ust file for UTAU/OpenUtau (one note per syllable, pitched to the chords) together with a same-length backing track as .mid and .wav. Also previews syllable splits, renders backing from chords alone, and lists available instruments, styles, lyric modes and chord qualities.25MIT
TDQS
Scored across 70 tools
The surface is split into two near-parallel families — live-editor tools (add_notes, edit_notes, set_curve, play) and .ustx file tools (ustx_add_notes, ustx_edit_notes, ustx_assign_lyrics) — with identical purposes distinguished only by whether the project is open in the app. On top of that, lyric entry has five overlapping variants (replace_lyrics, set_lyrics, assign_lyrics, add_melody, split_lyrics), so an agent can easily pick the wrong layer or the wrong lyric tool.
Almost everything is snake_case verb_noun (add_track, remove_part, set_tempo, get_curve), and the ustx_/ust_ prefixes act as readable namespaces. Minor deviations exist: new_project instead of create_project, noun-only tools like pause/stop/seek/undo, and converter-style names (ticks_to_beats, note_to_midi) that break the verb pattern.
70 tools is heavy for a DAW integration and is inflated mainly by duplicating ~15 operations for offline .ustx editing alongside the live-editor equivalents. A single mode-switched or file-path-parameterized surface could halve the count; as listed it is well past the reasonable 3-15 range.
Coverage is genuinely broad: project lifecycle (new/open/save/launch/close), tracks, parts, notes, expressions and curves, pitch curves, playback, WAV/MIDI export, voicebank and oto inspection, and UST import/export. Gaps are minor — no explicit part-level get beyond list_notes, and no project settings/track-level expression defaults tool — but agents can work around them.