Claude ATEM MCP
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TDQS
Scored across 66 tools
Tools are organized into clearly separated domains (switching, transitions, Super Source, keys, audio, macros, EDL), and most boundaries are sharp. A few names share the 'auto' prefix (atem_auto_transition, atem_auto_dsk, atem_auto_switch_on) and there is mild overlap between atem_preview_and_auto/atem_auto_transition and atem_set_supersource_box/atem_set_supersource_layout, but descriptions resolve the confusion.
Nearly all tools follow an atem_verb_noun pattern (atem_set_program, atem_get_status, atem_start_recording) with consistent snake_case. Minor deviations exist in ordering for subgroups (atem_edl_start, atem_macro_run, atem_auto_switch_on, atem_fade_to_black), but each subgroup is internally consistent and readable.
66 tools is heavy, and an agent must scan a large surface to find the right one. However, the domain (full ATEM switcher control including Fairlight audio, keys, Super Source, and EDL export) is genuinely broad and each tool maps to a distinct hardware operation, so the count is borderline rather than bloated.
Coverage is strong: connection, program/preview switching, transitions, recording/streaming, Super Source (boxes, art, borders, layouts, saved looks), auto-switching, aux, DSK, USK, macros, and deep Fairlight audio control. Minor gaps exist (no DSK state getter, no media pool/still upload, no camera color-correction tools), but core workflows have no dead ends.