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    Enables AI agents to perform local video, audio, and file operations inside an isolated workspace, including cutting/concat videos, extracting audio, transcribing, and managing files, with typed responses and background job support.
    11
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    C
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    Enables Claude or any AI agent to operate Live 12 Intro end to end: creating tracks and scenes, writing and quantizing MIDI clips, loading audio onto the Arrangement timeline, setting device parameters in real units, drawing clip automation, mixing with real sidechain, and rendering or analyzing audio so the agent can check its own work. It exposes 57 tools over MCP or a local JSON socket, working within the stock Intro edition's 16-track, 16-scene limits.
    57
    MIT
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    Provides access to a database of over 8,800 headphones and IEMs for equalization settings, sound signature analysis, and Harman preference scores. It enables AI assistants to search, compare, and recommend headphones based on frequency response measurements and parametric EQ profiles.
    7
    4
    MIT
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    An MCP server for parsing and analyzing Ableton Live .als project files offline, enabling queries about tempo, tracks, clips, and MIDI data through tools like als_summary and als_list_tracks.
    40
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    Editing, analyzing and processing audio files without ffmpeg.
    1,087 npm
    320
    MIT
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    Enables a coding agent to operate an Elektron Analog Rytm MKII through semantic MCP tools, with validation-first safety, snapshots, and rollback for persistent changes.
    1
    MIT
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    Enables chat-driven audio analysis and enhancement using local Claude, including denoising, EQ, compression, and loudness normalization, with an A/B viewer for synchronized comparison.
    1
    MIT
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    Enables control of a Behringer WING digital mixing console through MCP clients, exposing 116 typed tools for mixing, processing, automation, presets, scenes, and other console features, along with a web dashboard.
    MIT
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    Enables agents to conjure individual sounds by semantic text search over a CLAP-embedded audio database and render them into stereo, 5.1, or 7.1.4 spatial mixes, with tools for summing mixes, analyzing a mix's sounds and spatial balance, and mimicking existing mixes. Documentation resources are exposed so the client can read usage guides on demand.
    MIT