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    Enables an agent to inspect an audio folder and report what is inside each file — duration, sample rate, channels, codec and bitrate — and to group byte-identical files, identical decoded audio stored in different containers, and near-duplicate candidates, with suggested keeps and explicit differences, all read-only.
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    AGPL 3.0
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    Enables AI agents and MCP clients to drive Ableton Live 12 end to end, from setting tempo and building instruments through writing MIDI, arranging, mixing, bouncing and mastering. Adds real-time rendering plus loudness and spectral analysis and multi-format encoding with tags and artwork, for turning an empty set into a release-ready track.
    78
    MIT
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    Control Logic Pro locally on macOS through MCP: transport, tracks, mixer, plug-in parameters, audio analysis, bounce and delivery, with optional gesture and voice control. Uses OSC, CoreMIDI and macOS Accessibility. Actions report confirmed, uncertain or failed outcomes. Actual control requires a local Mac with Logic Pro. Hosted/Linux builds are schema inspection only; all operations are disabled.
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    MIT
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    Enables AI assistants to control Ableton Live through MCP, allowing MIDI writing, audio import, device parameter adjustment, clip arrangement, and playback control over a localhost-only connection.
    37
    MIT
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    Enables MCP-capable AI agents to control REAPER through typed tools and a Lua escape hatch for project creation, track management, recording and editing, MIDI writing, mixing, rendering, and batch operations.
    50
    MIT
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    Enables Claude or any AI agent to operate Live 12 Intro end to end: creating tracks and scenes, writing and quantizing MIDI clips, loading audio onto the Arrangement timeline, setting device parameters in real units, drawing clip automation, mixing with real sidechain, and rendering or analyzing audio so the agent can check its own work. It exposes 57 tools over MCP or a local JSON socket, working within the stock Intro edition's 16-track, 16-scene limits.
    57
    MIT