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  • A
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    Enables users to build and tweak BOSS GT-1 guitar tones and patches through plain-language conversation, with Claude writing amp, drive, and effect settings over USB. It can also listen to the pedal's audio, adjust levels and noise suppression, manage user slots, and run a metronome.
    MIT
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    C
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    Enables MCP clients such as Claude to generate spoken audio locally, narrating English with Kokoro and Malayalam with IndicF5, Parler-TTS, Piper or MMS, including cloned Malayalam voices, pronunciation lexicons, and number/currency expansion. Outputs loudness-normalised WAV or MP3 and runs long narrations through a pollable job queue so tool calls never time out.
    MIT
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    Lets AI assistants render HTML animations to MP4 or GIF in 16:9, 9:16 and 1:1, preview single frames to check their own work, and finish videos with royalty-free music, AI voiceover, burned-in captions, titles and logos. It renders code frame by frame in a real browser rather than generating video from a text prompt.
    MIT
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    Lets a model write FL Studio projects (notes, any installed plugin and preset, mixer, sidechain, automation), open them in a running FL, and render them.
    1
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    7
    MIT
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    quality
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    maintenance
    Enables reading and creating projects in a local CapCut draft library through natural language — listing timelines, checking for missing media, and generating new edits from clips, with cuts automatically matched to the beat of a track. It works by cloning an existing draft as a structural template, so new projects inherit CapCut's undocumented file format.
    6
    MIT
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    Enables MCP clients such as Claude Code, Cursor, and VS Code to generate speech through three MiMo TTS models: nine built-in voices (with singing and style/audio tags), voices designed purely from a text description, and voices cloned from a local mp3/wav sample. Audio is streamed and written only inside a sandboxed output directory, with non-overwriting filenames.
    4
    MIT
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    Enables AI models to read and edit your own BandLab songs via natural-language prompts, performing concrete mix operations like adjusting track levels, pan, effects, and arrangement while creating new non-destructive revisions.
    8
    8 npm
    4
    MIT
  • A
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    Enables generating game assets — images, 3D meshes, sound and music — through free Hugging Face Spaces with no GPU or subscription, plus procedural synthesizers that consume no quota at all. Adds licence gating, per-take provenance metadata, and post-processing such as audio trimming/looping/normalising and six-angle Blender mesh renders.
    2
    9
    MIT
  • A
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    quality
    B
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    Provides local audio transcription using whisper.cpp, supporting multiple models and audio formats. Enables transcription of audio files via MCP tools with optional timestamps.
    3
    94 npm
    3
    MIT
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    maintenance
    Enables compatible local MCP hosts to inspect and control a local RVC voice-conversion engine, including listing and selecting models, setting pitch and index ratio, starting or pausing playback, and toggling original-voice bypass.
    9
    MIT
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    license
    A
    quality
    B
    maintenance
    Enables users to describe a sound in plain words inside Claude and receive a generated audio file saved in their project. Supports synthesizing wind, whooshes, creaks, impacts, rain and UI blips, plus seamless loops, layered scenes, varied output formats, loudness targets, and conversion or trimming of existing audio files.
    6
    MIT
  • A
    license
    A
    quality
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    Enables AI assistants to generate and control real-time audio synthesis through natural language descriptions using SuperCollider. Features 10 built-in synth types, pattern sequencing, audio recording, and server lifecycle management for creating sounds from simple English descriptions.
    11
    2
    MIT
  • A
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    MCP server that enables generating songs or instrumental music using Suno V6, V6_MINI, and V6_WILD models via the Kie.ai API, with support for checking task status and retrieving audio URLs.
    2
    1
    MIT