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    Enables AI agents to perform local video, audio, and file operations inside an isolated workspace, including cutting/concat videos, extracting audio, transcribing, and managing files, with typed responses and background job support.
    11
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    Enables Claude or any AI agent to operate Live 12 Intro end to end: creating tracks and scenes, writing and quantizing MIDI clips, loading audio onto the Arrangement timeline, setting device parameters in real units, drawing clip automation, mixing with real sidechain, and rendering or analyzing audio so the agent can check its own work. It exposes 57 tools over MCP or a local JSON socket, working within the stock Intro edition's 16-track, 16-scene limits.
    57
    MIT
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    Enables an AI agent to make music with SuperCollider by rendering code to WAV files offline with peak and RMS level stats, plus realtime playback and stopping. Runs on macOS and Linux via a subprocess, with per-call process isolation so crashes or hangs can't take the server down.
    4
    MIT
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    A mock-first MCP server for audio generation that creates placeholder WAV files locally, enabling development and testing of audio workflows without APIs or costs.
    3
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    MCP server for Audionaut, a free, open-source multitrack audio editor for macOS, Windows and Linux. Agents can split and move clips, set gain, fades and crossfades, time-stretch, work with regions, run audio analysis and Auto Edit, separate stems and export. When the project is open in the app, each edit lands there as one undo step and the project file is never overwritten. Setup: npx -y audionau
    23
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    Control Logic Pro locally on macOS through MCP: transport, tracks, mixer, plug-in parameters, audio analysis, bounce and delivery, with optional gesture and voice control. Uses OSC, CoreMIDI and macOS Accessibility. Actions report confirmed, uncertain or failed outcomes. Actual control requires a local Mac with Logic Pro. Hosted/Linux builds are schema inspection only; all operations are disabled.
    12
    MIT
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    Enables AI assistants to control Easy Effects on Linux via its control socket, including toggling global bypass, loading and saving presets, and reading or modifying plugin and parametric EQ settings. It also supports microphone monitoring, audio sharing, and applying AutoEQ-style EQ band lists.
    16
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    MIT
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    Enables a coding agent to operate an Elektron Analog Rytm MKII through semantic MCP tools, with validation-first safety, snapshots, and rollback for persistent changes.
    2
    MIT
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    Enables chat-driven audio analysis and enhancement using local Claude, including denoising, EQ, compression, and loudness normalization, with an A/B viewer for synchronized comparison.
    1
    MIT
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    Enables control of a Behringer WING digital mixing console through MCP clients, exposing 116 typed tools for mixing, processing, automation, presets, scenes, and other console features, along with a web dashboard.
    3
    MIT
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    A Rust MCP server that enables AI assistants to control Ableton Live via OSC, offering 266 tools for transport, tracks, clips, scenes, devices, and more.
    20 PyPI
    24
    MIT
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    Gives Claude Code, Claude Desktop, Cursor and any other MCP client a local sound studio that turns plain-language requests into background music, instrument loops and sound effects, then re-styles, regenerates or extends them and exports seamless loops, fades and loudness-normalized WAV, OGG or FLAC files. Everything runs on Apple Silicon with no cloud service and no API key.
    548
    MIT