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i-d_1990s.json•2.87 kB
{
"name": "i-D (1990s)",
"display_name": "i-D: Street Culture Era",
"era": {
"start": 1990,
"end": 1999,
"label": "Street culture documentation and youth rebellion"
},
"visual_treatment": {
"color_palette": "High saturation primary colors, neon accents, stark black and white contrasts, fluorescent pinks and greens",
"lighting": "Harsh direct flash, strong shadows, blown-out highlights, street lighting effects, unflattering documentary-style illumination",
"contrast": "Extreme high contrast with deep blacks and bright whites, intentionally overexposed flash photography",
"texture": "Heavy grain from pushed film, rough printing quality, xerox-like reproduction, deliberately lo-fi aesthetic"
},
"composition": {
"framing": "Tight crops on faces, extreme close-ups, unconventional angles, off-center subjects",
"spatial_relationships": "Crowded layouts with overlapping elements, collage-like arrangements, text integrated into imagery",
"perspectives": "Street-level viewpoints, candid documentary angles, worm's eye view, deliberately amateur framing",
"layout_philosophy": "Anti-design aesthetic, deliberately chaotic, fanzine-inspired layouts, rejection of traditional magazine composition"
},
"technical": {
"film_or_technology": "35mm film pushed to high ISO, disposable cameras, Polaroid instant film, cheap color negative film",
"lens_character": "Built-in flash aesthetics, wide-angle distortion, plastic lens characteristics from toy cameras",
"post_processing": "Minimal retouching, high contrast printing, color shifts from cheap processing, deliberate technical imperfection"
},
"cultural_context": {
"values": "Authenticity over polish, youth culture documentation, anti-establishment rebellion, DIY ethos",
"subject_matter": "Club kids, street fashion, emerging musicians, underground culture, youth subcultures",
"target_audience": "Fashion-forward youth, club scene participants, creative underground, early adopters",
"era_signature": "Pre-internet youth culture documentation with raw immediacy and cultural authenticity"
},
"temporal_markers": [
"Pre-digital photography limitations creating authentic grain and color shifts",
"Rave and club culture influence on color and styling choices",
"Xerox and photocopier aesthetic integrated into design",
"Disposable camera and amateur photography celebration",
"Anti-supermodel movement toward real people and street casting"
],
"distinguishing_features": "Combination of high fashion sensibility with deliberately amateur photographic technique, celebrating imperfection and authenticity over technical excellence, pioneering street style documentation",
"confidence_score": "HIGH",
"generated_at": "2025-11-13T09:25:02.241369",
"llm_model": "claude-sonnet-4-20250514"
}