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deliver_score

Read-onlyIdempotent

Hand over the finished score as files, once the user is happy with it. Returns a zip holding the scored video, every section of music as a separate M4A trimmed exactly as it was used and named with the timecode it starts at, and a cue sheet. An editor drops each file at the timecode in its name and has the render back on their own timeline. Call this with THE SAME arguments you passed to score_my_video — that is how it finds the right render. It never re-cuts anything.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
briefNothe same brief you scored with
versionNo
sectionsNo
silencesNo
track_idNo
video_urlYesthe same link you scored
music_offset_dbNothe same value you scored with, if you set one

TDQS

A4.4/5.0
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

Annotations already assert read-only, non-destructive, idempotent. The description adds meaningful behavior: it locates an existing render, doesn't re-cut anything, and return a zip bundle. This goes beyond the annotation and clarifies that the tool has no side effects on the underlying score.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

Every sentence contributes a non-redundant point: the trigger, the zip contents, the editorial workflow, the same-args rule, and the no-recut guarantee. The structure front-loads the core purpose and provides the essential operational fact in bold. No wasted words.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

The description is complete enough given no output schema and seven parameters: it explains what the output is, how each file is intentionally named, and the exact call context to retrieve the correct render. The gap is not describing potential errors or whether all optional args need to be repeated, but the explicit 'same arguments' rule makes this a strong foundation.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is low (43%), so the main burden falls on the description. It compenses with a he unique invocation contract: 'Call this with THE SAME arguments you passed to score_my_video — that is how it finds the right render'. This adds meaning to all params without mapping each one; it also specifically calls out brief and video_url as same values.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description states the verb (hand over), the resource (finished score files), and clearly lists the output bundle: zip with scored video, per-section M4As, and cue sheet. This distinguishes it from scoring or analysis tools like score_my_video or analyze_video.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

It specifies the necessary trigger condition ('once the user is happy') and tells the agent to call it with exactly the same arguments passed to score_my_video, which is strong usage guidance. It doesn't explicitly name exclusions or alternatives such as 'if revisions are needed, use feedback', but in the observable contextual detail, this is nearly sufficient.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

A4.1/5.0
Disambiguation3/5

search_music, find_soundtrack, and search_by_reference all discover catalogue music, and find_soundtrack overlaps with search_music for description-based requests. The long descriptions clarify the intended input type, but an agent could still reasonably pick the wrong tool when a user asks for music for a video.

Naming Consistency3/5

Most tools follow a readable verb + object pattern (analyze_video, deliver_score, get_track, get_upload_link), but others are noun phrases (cue_sheet, listen_link, feedback) or awkwardly different (about_ainsof, score_my_video). The naming is not chaotic but lacks a single consistent convention.

Tool Count5/5

With 12 tools, the set is within the well-scoped 3-15 range and each tool addresses a clear stage of the catalogue and scoring workflow: search, preview, upload, analyze, score, deliver, and feedback. No obvious filler or redundancy bloating the count.

Completeness4/5

The set covers the core lifecycle from music discovery and video analysis through scoring, delivery, and user feedback. Minor gaps exist such as no explicit browse/album listing tool, but search_music can retrieve albums and composers, so this should not cause agent failures.

Resources