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Calculate Equal Division Frequency

calculate_equal_division_frequency
Read-only

Use this when an agent needs to calculate one deterministic frequency in an equal division of the octave with an optional concert-root transposition. Do not infer ownership, licensing, or unpublished availability.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault

No arguments

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault

No arguments

TDQS

A4.4/5.0
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

Annotations already mark read-only and non-destructive behavior; the description adds that the result is deterministic and singles out one frequency, plus a scope warning not to infer ownership, licensing, or unpublished availability. This is meaningful beyond the annotations, though not deeply detailed.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

Two tight, front-loaded sentences: the first states the trigger and function, the second a boundary. There is no filler or repetition.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

With zero parameters, a read-only annotation set, and an output schema present, the description supplies the needed purpose and boundary. It is slightly less complete because the optional transposition has no corresponding input field, leaving a small ambiguity about how it is requested.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

There are zero parameters in the schema, so the 0-parameter baseline of 4 applies. The description's mention of optional concert-root transposition is a conceptual qualifier; the schema offers no field to document, so no further parameter elaboration is expected.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description names a specific verb ('calculate') and object ('one deterministic frequency in an equal division of the octave'), and narrows scope with optional concert-root transposition. This makes the tool's function immediately distinguishable from the scale-generation and release-retrieval siblings.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

It opens with an explicit 'Use this when...' trigger and adds a negative boundary. It does not name sibling alternatives or state when not to use it, so it misses the explicit when-not requirement but still gives clear usable context.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

A4.3/5.0
Disambiguation5/5

Each tool targets a distinct resource or action: the four cyclic-scale tools cleanly separate generation, analysis, MusicXML export, and frequency calculation, while the catalog tools distinguish search, list, composition, release, track, and sheet-music lookup. There are no overlapping responsibilities that would cause an agent to misselect.

Naming Consistency5/5

All tool names follow a consistent lowercase verb_noun snake_case pattern with clear verbs such as analyze, calculate, export, generate, get, list, and search. The singular/plural usage is logical and predictable throughout the toolset.

Tool Count5/5

Ten tools is well within the ideal range and appropriately covers two cohesive subdomains: public music catalog access and cyclic-scale utilities. Each tool has a distinct purpose, and none feel redundant or merely decorative.

Completeness4/5

The catalog surface covers search, listing releases, and fetching compositions, releases, tracks, and sheet-music resources, while the cyclic-scale tools form a coherent generate-analyze-export workflow. Minor gaps exist, such as no explicit way to list tracks for a specific release or browse compositions independently of search, but agents can work around these with the existing tools.

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