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Add Audio To Timeline

timeline_audio_add

Place an uploaded audio asset onto the actual BlitzReels project timeline at a timestamp. Use after media_upload_file when the user asks to add voiceover, music, or audio to a video.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
loopNoLoop audio to fill requested duration
volumeNoAudio volume multiplier, 1 is normal
assetIdYesAudio media asset ID. UUID string.
projectIdYesBlitzReels project ID. UUID string.
startSecondsNoTimeline start time in seconds
fadeInSecondsNoFade-in length in seconds
fadeOutSecondsNoFade-out length in seconds
durationSecondsNoOptional duration. Required if the audio asset duration is not known yet.

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault
resultYes

TDQS

A4/5.0
Behavior3/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

Annotations show this is a write operation (readOnlyHint=false), and the description confirms a mutation ('Place onto... timeline'). The description adds the prerequisite of a prior upload, which is useful, but it does not disclose other behavioral traits like validation of audio type, error cases, or reversibility. With minimal annotation detail, the description carries some burden but leaves gaps.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is two sentences long, front-loaded with the core action and resource, and every word provides value. It does not waste space with redundant information.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the tool's complexity (8 params, output schema exists), the description covers the primary use case, prerequisite, and audio-specific scope. It does not explain nuances like the required durationSeconds condition, but those are in the schema. It is adequately complete for an agent to decide when to use it.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters3/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 100%, so all parameters are already documented. The description adds context that the asset must be an uploaded audio asset and that placement occurs at a timestamp, which reinforces but does not extend parameter meaning. Baseline of 3 is appropriate.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description clearly states the action ('Place'), the resource ('uploaded audio asset'), and the destination ('actual BlitzReels project timeline at a timestamp'). It distinguishes this tool from siblings by specifically mentioning audio (voiceover, music), which separates it from timeline_media_add.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description explicitly says 'Use after media_upload_file' and specifies the user intent ('add voiceover, music, or audio to a video'). This gives clear context for when to use the tool, but it does not mention when not to use it or explicitly name alternatives.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

B3.1/5.0
Disambiguation3/5

Most tools use clear domain prefixes, but several boundaries are fuzzy: clips_get and clips_manage both expose clip/export status, and update_timeline_clip overlaps with timeline_edit_apply for trim/duration changes. Detailed descriptions mitigate this, but an agent could still select the wrong tool for clip inspection or timeline edits.

Naming Consistency3/5

All names are snake_case and mostly readable, but the server mixes verb-first names (add_text_overlay, delete_timeline_items, update_timeline_clip) with noun-first domain-action names (clips_create, generation_*_create, media_import_*). The domain-prefix pattern dominates, yet the inconsistent verb placement makes the convention only partially predictable.

Tool Count1/5

58 tools is far beyond the 25+ threshold and matches the rubric's 50+ extreme-mismatch example. Even though the domain is broad, this surface would be easier for an agent to navigate if split into focused servers for media, generation, timeline editing, clips, and workflows.

Completeness3/5

Core video-editing flows are well represented: project creation/inspection, timeline item editing/deletion, media import/upload, AI generation, exports, and clips. However, lifecycle gaps remain—no project update/delete, no media asset deletion, no delete for characters or story kits, and no export cancellation—so some user requests will dead-end.

Resources