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Archive Gradient — Lab-Interpolated Colour Journey

palette_gradient
Read-only

Generate a perceptually smooth gradient between 2-5 archive anchor colours. Each interpolated stop snaps to the nearest real archive colour by CIEDE2000. Anchor stops are kept true to their source. Choose linear (physically accurate Lab interpolation) or chroma_preserved (LCh interpolation, short-arc hue, avoids desaturated midpoints). Returns stop array, CSS linear-gradient string, or SVG swatch bar. Use for design briefs, colour journey visualisations, and gradient systems. The result already carries the rendered palette and its PNG, PDF, ASE, JSON and CSS downloads -- show them to the customer. Never present the archive anchors a colour was derived from as the colours you are recommending. If you go on to choose a final palette OF YOUR OWN from this evidence, call palette_finalize once with those exact colours so the customer can see and download what you actually recommended.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
pathNolinear: straight Lab lerp (may have neutral midpoint). chroma_preserved: LCh short-arc, saturation maintained.chroma_preserved
stepsNoTotal stops including anchors (default 7, max 20)
anchorsYes2-5 hex values (#RRGGBB) or exact archive colour names
archiveNoRestrict snapping to this archive name e.g. Victorian
output_formatNostops: array of colour objects. css: linear-gradient string. svg: swatch bar.stops
snap_to_archiveNoSnap each stop to nearest archive colour (default true)

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault

No arguments

TDQS

A4.7/5.0
Behavior5/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

The description goes well beyond the readOnlyHint annotation by explaining the snapping behavior (CIEDE2000 to nearest archive colour), anchor stop preservation, the difference between linear and chroma_preserved interpolation, and that the result already carries rendered palette plus PNG, PDF, ASE, JSON and CSS downloads. It also warns against presenting source anchors as recommendations, which is crucial behavioral guidance.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is fairly long but every sentence earns its place: core mechanism, interpolation choices, output forms, use cases, delivery behavior, and a critical customer-facing instruction. The most important facts are front-loaded, and the cautions are placed at the end where they are still actionable.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the output schema exists, the parameter schemas are fully described, and the tool has 6 parameters, this description is highly complete. It covers algorithm behavior, output formats, download carrying, and the exact follow-up action needed when an agent chooses its own palette. Nothing material is missing for correct invocation and interpretation.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema coverage is 100%, so the baseline is 3. The description adds value by explaining the interpolation paths beyond enum labels, mapping output_format to actual outputs ('stop array, CSS linear-gradient string, or SVG swatch bar'), and describing what 'snapping to archive colours' means for anchors and interpolated stops. This enriches the schema without replacing it.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description states a specific verb and resource: it generates a perceptually smooth, lab-interpolated gradient between 2-5 archive anchor colours, with each stop snapped to a real archive colour. This is far more than a restatement of the title and clearly distinguishes the tool's core function from siblings like palette_compare or palette_finalize.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description gives explicit use cases: 'Use for design briefs, colour journey visualisations, and gradient systems.' It also gives a strong follow-up rule: if the agent chooses its own final palette, it must call palette_finalize with those exact colours. It does not explicitly name excluded alternatives, but the context and follow-up instruction are clear enough.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

A3.7/5.0
Disambiguation2/5

Multiple tool clusters have unclear boundaries: colour_passport, colour_dna, colour_metrics, and colour_cultural_risk overlap heavily; palette_extract, extract_image_colours, image_palette, and ingest_image cover similar image-colour extraction territory; and compound tools like design_session, image_brief, session_brief, and archive_report_brief duplicate chains of component tools. The descriptions are detailed and occasionally state 'use this instead of X', but an agent still faces many near-duplicate choices.

Naming Consistency3/5

Names are consistently snake_case and often use domain prefixes (colour_, palette_, archive_, brand_, accessibility_), but verb placement is mixed: some are verb_noun (extract_image_colours, query_hex, style_match), others are noun_verb (colour_dna, palette_generate, brand_audit), and a few standalone names (ui_states, tool_guide, meta_capabilities) don't fit either pattern. The convention is readable but not uniform.

Tool Count1/5

At 88 tools, this is far beyond the reasonable well-scoped range and exceeds the 50+ extreme mismatch threshold. Many tools are compound wrappers that consolidate chains of simpler tools, adding redundancy and cognitive load rather than genuine coverage.

Completeness5/5

For the apparent domain, the tool surface is extremely comprehensive: colour extraction, analysis, naming, accessibility, cultural/provenance research, palette generation, brand systems, interior design, ecommerce copy, image briefs, project lifecycle, exports, and diagnostic tools are all present. Persistent objects have list/get/versions/delete/export support, so there are no obvious dead ends.

Resources