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Get Colour Harmonies

colour_harmonies
Read-only

Return complementary, triadic, analogous, and split-complementary harmonies matched to named archive colours. Also available: 'hay_contrast' -- D.R. Hay's (1838) documented contrast pairing between six named hues (yellow/purple, orange/blue, red/green), with Field's proportional power for the pair. Unlike the fixed-angle types, this snaps the input to Hay's nearest named hue rather than rotating it, and returns covered:false with no invented partner when the input sits nearer a tertiary region (olive/citron/russet) than any of the six -- Hay records only an aggregate total for tertiaries, never a specific pair. The result already carries the rendered palette and its PNG, PDF, ASE, JSON and CSS downloads -- show them to the customer. Never present the archive anchors a colour was derived from as the colours you are recommending. If you go on to choose a final palette OF YOUR OWN from this evidence, call palette_finalize once with those exact colours so the customer can see and download what you actually recommended.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
hexYesHex value e.g. '#3A5C8C'
harmony_typesNoHarmony types to include: 'complementary', 'analogous', 'triadic', 'split_complementary', 'tetradic', or 'hay_contrast' (D.R. Hay's 1838 documented contrast pairing, distinct from the geometric types -- see tool description).

Output Schema

TableJSON Schema
NameRequiredDescriptionDefault

No arguments

TDQS

A4.6/5.0
Behavior5/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

The readOnlyHint annotation covers safety, and the description adds rich behavioral detail: hay_contrast snaps input to Hay's nearest named hue rather than rotating it, returns covered:false for tertiary regions, and the result already carries rendered palettes plus PNG, PDF, ASE, JSON, and CSS downloads. It also discloses a guardrail about never presenting archive anchors as the recommended colours, which is valuable beyond the annotation.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness4/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is dense and front-loaded with the core purpose, and every major sentence adds useful information. It is on the longer side, especially the Hay contrast explanation and the customer-facing directives, but those earn their place because they prevent incorrect output presentation.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the full input schema, output schema, and readOnlyHint annotation, the description is complete enough for an agent to invoke the tool correctly and handle its result. It covers the central output, an important edge case, download availability, and the follow-up palette_finalize behaviour, so no critical guidance is missing.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 100%, so the baseline is 3. The description adds meaningful semantics by explaining the hay_contrast mode in depth, including its distinct snapping behavior and edge-case output. It does not add much specific meaning for hex, but the schema already documents the format with an example.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description opens with a specific verb+resource: it returns complementary, triadic, analogous, and split-complementary harmonies matched to named archive colours. It then clearly separates the hay_contrast mode from the fixed-angle types, so an agent can tell what this tool uniquely does even among many colour-related siblings.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines4/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description gives clear context about what the result contains and tells the agent to show rendered palettes to the customer. It also provides a concrete downstream rule: if the agent chooses its own final palette from this evidence, it must call palette_finalize once with those exact colours. It stops short of explicitly naming alternative harmony tools or giving a precise 'use this instead of X' statement.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

A3.7/5.0
Disambiguation2/5

Multiple tool clusters have unclear boundaries: colour_passport, colour_dna, colour_metrics, and colour_cultural_risk overlap heavily; palette_extract, extract_image_colours, image_palette, and ingest_image cover similar image-colour extraction territory; and compound tools like design_session, image_brief, session_brief, and archive_report_brief duplicate chains of component tools. The descriptions are detailed and occasionally state 'use this instead of X', but an agent still faces many near-duplicate choices.

Naming Consistency3/5

Names are consistently snake_case and often use domain prefixes (colour_, palette_, archive_, brand_, accessibility_), but verb placement is mixed: some are verb_noun (extract_image_colours, query_hex, style_match), others are noun_verb (colour_dna, palette_generate, brand_audit), and a few standalone names (ui_states, tool_guide, meta_capabilities) don't fit either pattern. The convention is readable but not uniform.

Tool Count1/5

At 88 tools, this is far beyond the reasonable well-scoped range and exceeds the 50+ extreme mismatch threshold. Many tools are compound wrappers that consolidate chains of simpler tools, adding redundancy and cognitive load rather than genuine coverage.

Completeness5/5

For the apparent domain, the tool surface is extremely comprehensive: colour extraction, analysis, naming, accessibility, cultural/provenance research, palette generation, brand systems, interior design, ecommerce copy, image briefs, project lifecycle, exports, and diagnostic tools are all present. Persistent objects have list/get/versions/delete/export support, so there are no obvious dead ends.

Resources