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Morpha

upload_audio

Upload an audio track into a project by fetching a public http(s) URL server-side — the ONLY way to get an audio file's bytes into a project over MCP/HTTP (add_audio_overlay / update_audio_overlay only reference a filename that must already be uploaded). The worker downloads the .mp3/.m4a/.wav/.ogg/.aac, stores it in the project's asset bucket, and returns { filename, sizeBytes, contentType }. Then pass the returned filename to add_audio_overlay (add a second track) or update_audio_overlay { id, filename } (replace an existing track's file — find the id via describe_video's audio_overlays). The url must be a direct, publicly-fetchable http(s) link (not an auth-walled page). Buffered in Worker memory, so capped at 16 MiB.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
urlYesDirect, publicly-fetchable http(s) URL of the audio file (.mp3/.m4a/.wav/.ogg/.aac).
filenameNoOptional stored filename (.mp3/.m4a/.wav/.ogg/.aac). Defaults to the basename of the URL path; sanitised to lowercase a-z0-9._-.
projectIdYesProject to add the audio to.

Schema Changelog

Changes observed during successful MCP inspections. Dates show when Glama detected each change.

  1. First observed

TDQS

A4.9/5.0
Behavior5/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations provided, the description carries the full burden and delivers: the worker downloads, stores in the project's asset bucket, returns { filename, sizeBytes, contentType }, and buffers in memory with a 16 MiB cap. It also discloses the server-side fetching mechanism and the constraint on public URLs. This is thorough, honest behavioral disclosure beyond what any annotation would typically supply.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

Each sentence in the description contributes essential information: the core purpose and uniqueness, the workflow and return value, the downstream usage of the filename, the URL constraints, and the memory cap. The description is front-loaded with the primary purpose and maintains a logical flow from action to result to subsequent steps, with no filler.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness5/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given the absence of annotations and output schema, the description is remarkably complete: it explains the entire operation lifecycle, return value shape, how to chain the result with sibling tools, how to find the overlay id, supported formats, URL constraints, and a critical size limitation. An agent has everything needed to invoke this tool correctly and integrate it into a workflow.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema coverage is 100%, so the baseline is 3. The description adds meaningful context beyond the schema: it explains the purpose of the returned filename and how to use it in subsequent overlay operations, reinforces the URL constraints, and clarifies the optional filename's default behavior. This elevates the value beyond what the schema alone provides.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose5/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description states the specific action ('Upload an audio track into a project by fetching a public http(s) URL server-side'), the exact resource, and explicitly distinguishes itself as 'the ONLY way' to get audio bytes into a project, contrasting with siblings that only reference filenames. This leaves no ambiguity about what the tool does or how it differs from related tools.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines5/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description provides explicit guidance on when to use this tool, names the sibling tools it differs from (add_audio_overlay, update_audio_overlay), and explains the downstream workflow: pass the returned filename to add_audio_overlay or update_audio_overlay. It also specifies url requirements (direct, publicly-fetchable http(s), not auth-walled) and a size cap, making the usage context fully actionable.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

A3.6/5.0
Disambiguation3/5

The tool set has several clusters that overlap conceptually: add_keyframe/add_keyframes/set_keyframes_batch, move_band/move_layer/shift_group/set_group_window, and fade_layer/set_layer_transition/set_layer_visible all target similar actions. However, each tool's description is distinct and detailed enough for an agent to disambiguate after careful reading. The sheer volume of 95 tools still creates meaningful selection risk.

Naming Consistency4/5

Tool names overwhelmingly follow a verb_noun snake_case pattern (add_, remove_, set_, list_, rename_, create_, delete_), which is predictable and readable. Minor inconsistencies exist: plural variants like add_keyframes vs add_keyframe, mixed specificity like remove_keyframe vs remove_color_keyframe, and a few oddballs like reid_project and clip_processing_status. Overall the pattern is strong and helps navigation.

Tool Count2/5

95 tools is far beyond the well-scoped range and will overwhelm agents; even a comprehensive video editor could consolidate keyframe batch operations, overlay/track manipulations, and page/group window controls. Many tools are highly specific (reid_project, safe_zones, move_band) and place burden on the agent to pick among near-synonym verbs. While the broad domain justifies many operations, this count is excessive for a coherent tool surface.

Completeness3/5

The surface covers a broad editing lifecycle: layers, keyframes, text, captions, audio, pages, groups, versions, projects, workspaces, and collections, including batch operations. However, there is no MCP tool to render/export the final MP4 (explicitly delegated to an SDK) and no upload_video tool for bringing in a clip file, leaving major end-to-end gaps. For the stated purpose of building and editing videos, these are significant omissions that force agents to stop short of delivery.

Resources