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Morpha

set_track_loop

Set the extrapolation mode for one property's animation track. Modes: "hold" (default — holds the boundary keyframe's value past the ends), "loop" (wraps frames past the last keyframe back to the first, restarting the animation), "ping-pong" (alternates direction each cycle, bouncing back and forth), "cycle" (wraps like loop but each cycle adds the boundary delta — used for endless rotation or scrolling). Has no effect on tracks with fewer than 2 keyframes.

Input Schema

TableJSON Schema
NameRequiredDescriptionDefault
modeYes
propertyYes
elementIdYesLayer id (video/image/shape/group).
projectIdYesOpaque project id (a v4 UUID, from list_projects/create_project). Selects which existing project this call mutates.

Schema Changelog

Changes observed during successful MCP inspections. Dates show when Glama detected each change.

  1. First observed

TDQS

A3.9/5.0
Behavior4/5

Does the description disclose side effects, auth requirements, rate limits, or destructive behavior?

With no annotations provided, the description carries the behavioral disclosure burden. It does well by explaining exactly what each mode does and disclosing the no-op condition for tracks with fewer than 2 keyframes. It does not mention overwriting behavior or return output, but for a simple setter the mode semantics and edge-case caveat provide meaningful transparency.

Agents need to know what a tool does to the world before calling it. Descriptions should go beyond structured annotations to explain consequences.

Conciseness5/5

Is the description appropriately sized, front-loaded, and free of redundancy?

The description is three sentences with no filler. The primary action is front-loaded, the detailed mode definitions are necessary for correct invocation, and the short keyframe-count caveat is valuable. Every sentence earns its place.

Shorter descriptions cost fewer tokens and are easier for agents to parse. Every sentence should earn its place.

Completeness4/5

Given the tool's complexity, does the description cover enough for an agent to succeed on first attempt?

Given four required parameters, no annotations, and no output schema, the description covers the key operational facts: what the tool sets, what each mode means, and when it does nothing. It is slightly incomplete only in not explicitly routing the agent away from the similarly named sibling set_loop.

Complex tools with many parameters or behaviors need more documentation. Simple tools need less. This dimension scales expectations accordingly.

Parameters4/5

Does the description clarify parameter syntax, constraints, interactions, or defaults beyond what the schema provides?

Schema description coverage is 50%, with elementId and projectId already explained. The description compensates for the mode parameter by thoroughly defining hold, loop, ping-pong, and cycle. It does not add much about the property enum, but those values are self-explanatory, and the phrase "one property's animation track" clarifies the role of property.

Input schemas describe structure but not intent. Descriptions should explain non-obvious parameter relationships and valid value ranges.

Purpose4/5

Does the description clearly state what the tool does and how it differs from similar tools?

The description opens with a specific verb and resource: "Set the extrapolation mode for one property's animation track." It is clearly scoped to a per-property track, which helps distinguish it from the sibling set_loop, though it never names set_loop explicitly. The four mode values are explained, adding precision to what the tool accomplishes.

Agents choose between tools based on descriptions. A clear purpose with a specific verb and resource helps agents select the right tool.

Usage Guidelines3/5

Does the description explain when to use this tool, when not to, or what alternatives exist?

The description implies the tool is for configuring extrapolation after keyframes and explicitly notes it has no effect on tracks with fewer than 2 keyframes. However, it does not mention the sibling tool set_loop or any explicit condition for choosing this tool over alternatives. Usage context is present but alternate routing is left to inference.

Agents often have multiple tools that could apply. Explicit usage guidance like "use X instead of Y when Z" prevents misuse.

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TDQS

A3.6/5.0
Disambiguation3/5

The tool set has several clusters that overlap conceptually: add_keyframe/add_keyframes/set_keyframes_batch, move_band/move_layer/shift_group/set_group_window, and fade_layer/set_layer_transition/set_layer_visible all target similar actions. However, each tool's description is distinct and detailed enough for an agent to disambiguate after careful reading. The sheer volume of 95 tools still creates meaningful selection risk.

Naming Consistency4/5

Tool names overwhelmingly follow a verb_noun snake_case pattern (add_, remove_, set_, list_, rename_, create_, delete_), which is predictable and readable. Minor inconsistencies exist: plural variants like add_keyframes vs add_keyframe, mixed specificity like remove_keyframe vs remove_color_keyframe, and a few oddballs like reid_project and clip_processing_status. Overall the pattern is strong and helps navigation.

Tool Count2/5

95 tools is far beyond the well-scoped range and will overwhelm agents; even a comprehensive video editor could consolidate keyframe batch operations, overlay/track manipulations, and page/group window controls. Many tools are highly specific (reid_project, safe_zones, move_band) and place burden on the agent to pick among near-synonym verbs. While the broad domain justifies many operations, this count is excessive for a coherent tool surface.

Completeness3/5

The surface covers a broad editing lifecycle: layers, keyframes, text, captions, audio, pages, groups, versions, projects, workspaces, and collections, including batch operations. However, there is no MCP tool to render/export the final MP4 (explicitly delegated to an SDK) and no upload_video tool for bringing in a clip file, leaving major end-to-end gaps. For the stated purpose of building and editing videos, these are significant omissions that force agents to stop short of delivery.

Resources